Mar. 9th, 2017

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American recording artist, Dean Friedman, best known to UK & Ireland audiences for his classic hits, ‘Lucky Stars’, ‘Lydia’, ‘McDonald’s Girl’, ‘Ariel’, and ‘Woman of Mine’, embarks on a 40+ city concert tour, running 20th April thru 20th August, 2017, and featuring appearances at the Brighton Fringe Festival (6th May), Great York Fringe Festival (22nd July), Edinburgh Fringe Festival (10 thru 21 Aug – not 14,15) and including a 2-night run at The Pheasantry [Pizza Express], London (26, 27 May).

Friedman’s tour coincides with the release of a brand new fan-funded album – his first new album release in seven years. Says Friedman of the, as yet, untitled album, “I’ve always tried to paint pictures in my songs, with words and music. Recording in a studio, turning the songs into an album, allows me to add color and shade and texture to those sonic portraits and aural landscapes.” The new album, currently in production, has a projected release date of 15th July, 2017.

Tickets to all of Friedman’s tour dates, as well as his CD and book catalog, can be purchased direct via

Friedman’s recent tours continue to garner rave reviews: “Every song in this show is a classic.” (London Theatre Guide), “Songsmith Extraordinaire” – (Music Week), “Stunning Musicianship” (HotPress) , “Dean Friedman is entirely unique and utterly brilliant!” – (ThreeWeeks)… are just a few of the superlatives used to describe his unique and original talent.

In addition to his familiar radio hits, album releases and touring, Friedman composes and produces music soundtracks for TV and film, including the music to the hit Central TV series BOON and NBC’s Eerie Indiana. He’s also published a respected tome on the art and craft of songwriting titled, ‘The Songwriter’s Handbook’ (The Artists League), based on the ‘Songwriting Workshops’ and ‘Songwriting Masterclasses’ he’s conducted at universities and music conservatories around the world, including L.I.P.A. (The Liverpool Institute for Performing Arts).
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[personal profile] froodle
Starting in the late 1980s, there seemed to be just as many anthology horror series for children as there were for adults. Thanks to the immense popularity of the Goosebumps books, conceived by author R.L. Stine, there was a great period in the early 1990s where kids got horror shows for themselves. It was during this time that we saw the TV version of “Goosebumps,” “The Nightmare Room,” “Are You Afraid of the Dark?,” “The Haunting Hour,” “So Weird,” and “Bone Chillers.”

The latter of these was probably my favorite, as “Bone Chillers” was conceived and directed by Richard Elfman, the mad genius behind weird-ass cult films like “Forbidden Zone” and “Shrunken Heads.” If you’ve seen his films, imagine that same sensibility applied to a low-budget horror series, and geared toward kids, and you’ll have a show that’s perfect to get high to.

The best of this wave of children’s horror, though, was probably “Eerie, Indiana,” a show about a young boy (Omri Katz) as he discovers increasingly bizarre occurrences in his small town. While the show did follow one young boy, I got the distinct impression that the creators tried really hard to leave him out of the picture as much as they could. It was the monsters that they really wanted to focus on. But that’s the thing about the show: It wasn’t just about monsters. It was about things like hyper-intelligent robots, or a mad being who keeps track of “lost” items.

In the shows’ best episode, a cursed record turntable begins to influence the mind of a local boy. He turns into an asshole metalhead, much to chagrin of his family. Our hero soon discovers that the record is implanting subliminal messages into the head of the listener, depending on their personal insecurities. At the end of the episode, we learn from the turntable that the boy has been abused by his father. It’s actually a brilliant revelation, and is not cheap in the very-special-episode kind of way that TV shows for kids usually pander to. It’s on DVD, and your better video stores will have them. Rent them


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Eerie Indiana

September 2017

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