...all long pig, all the time... (
froodle) wrote in
eerieindiana2015-10-03 04:00 pm
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Entry tags:
- char: edgar,
- char: janet,
- char: marilyn,
- char: mars,
- char: milkman marshall,
- char: simon,
- comm event: rewatch 2015,
- discussion: character,
- discussion: episode,
- ep: the lost hour,
- org: creepy garbage guys,
- org: eerie dairy,
- org: things incorporated,
- trope: milk trucks are a menace,
- trope: time travel
Eerie, Indiana rewatch 2015: episode ten, the Lost Hour
British daylight savings time starts at the end of this month, so you'd be well advised to take advantage of that extra hour in bed, unless of course you'd rather spend a year on the run from murderous binmen in a near-empty parallel world. Make sure your watches are set correctly, because we'e about to enter... the Lost Hour!
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Can we talk for a second about how we never saw Janet again and why it bothers me to this very day? I mean, we've got somebody who is hyper-competent, works well with Marshall, and has been living with and fighting the weird for a year now. Plus, there's the whole first kiss thing, and the fact that the episode revolves around old!Marshall's plan to make sure young!Marshall is the one to save her, which definitely seemed like it was setting up something. And then the show moves on without her, and Mars never mentions her again.
I was talking to one of the showrunners at a con years later, and found out Dash was the result of network pressure to add a third kid, in part because there were limits to how long the actor who played Simon could work at that age. And while I'm not exactly upset that Dash happened, there's still a side of me that goes, "But Janet was right there, already in the plot...and still alive by the end of the episode and everything...and why was that not a possibility...and...@#$!%$@#^&?!"
Anyway.
Opening shots are a deliberate nod to The Twilight Zone or the best possible accident.
Marilyn and Simon absolutely break my heart in this episode, with the look on her face after he tells them his parents don't care when he goes to bed, and the look on his face when he says goodnight after she talks about "our kids" and is obviously including him in there, too.
And oblivious Marshall wants to run away from all this.
At no point in the entire episode, even during the supply run, does Our Hero stop to put on pants.
Marshall's still very trusting at this point in his life, thinking it's a good idea to talk to the garbage men.
I still always wonder what would have happened if they'd gone to Jersey in the Lost Hour and what they might have found outside of the borders of Eerie.
Why get out of the car?! You are faster in the car. Though possibly not more agile, given Marshall's lack of driving experience.
Simon's not quite getting the hang of digital watches always makes me want to riff on Douglas Adams here.
The milkman's identity is still one of my very favorite reveals.
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there's clearly an alternate Eerie where Janet, Sara Sue, and Melanie are the ones fighting the forces of Eerie weirdness.
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AFTER my girl rockers fic because I gotta stop not working on that.
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I watched Hocus Pocus last night and a Thing happened in my brain so I'm working on that now instead.
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Oh my God, this! He just says it so matter of factly (because obv he wouldnt know the diffence) and she's like, so sad and awkward and stunned by the sheer horribleness of that. And the big smile when she kisses him goodnight, oh my GOD. I'm like, at least partially in love with Marilyn Teller in this episode.
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I still always wonder what would have happened if they'd gone to Jersey in the Lost Hour and what they might have found outside of the borders of Eerie.
Same. Like, because Jersey does use Daylight Savings Time, would it just be regular Jersey once they crossed the borders out of Indiana, or is the Lost Hour like its own specific geography and theres nothing at all once you get to the edge of the state?
OR is it a labyrinth that just leads you back to Eerie no matter how hard you try to leave?
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That's got to be it! It's such a Twilight Zone-y concept, it would fit right in to the rest of the episode.
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Im going with deliberate, because this seems like a show that really knows its sources. Like in Scariest Home Movies, a lot of the shots are done n the crooked off-angled style that the old Hammer Horror films would do their dramatic monster reveals in.
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IDK, maybe she was too competent? She is demonstrably smarter than Mars because she avoids the creepy garbage guys by instinct, something apparently Jimmy Hoffa wasn't smart enough to do.
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in comparison, with simon being so much younger n dash being in many ways a 'lost' character, as well as having the whole shades of grey morality, its easier to establish mars as the central character with that dynamic.
it is a shame we never got to see her again - maybe they were all intended to come back later on and cancellation is the only reason we never got to see it.
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a) He is Eerie weirdness, in addition to sometimes fighting it.
b) More often than not, he and Marshall are working at cross purposes for at least part of an episode.
And you're right Simon works because he is so much younger, so "Marshall as older and in charge" is likely to be a permanent part of their dynamic no matter how competent Simon is.
With Janet, you'd kind of start to wonder why is isn't the main character after a while. You couldn't even do a Mulder/Scully thing there.
I really do need to finish some of my future fic where Marshall and Janet do reconnect and try at a relationship when they're older.
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I really do need to finish some of my future fic where Marshall and Janet do reconnect and try at a relationship when they're older.
I really, realllllyyy want to read this!!