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We're one month out from the Eeriversary and the start of our annual rewatch. If you'd like to watch along, the R2 DVD is about £15 on eBay or Amazon, and in the US is free to stream for Amazon Prime customers. Check out our "where to watch Eerie Indiana" tag for more options.

We'll be starting with the pilot episode, ForeverWare, on 15 September at 7:30pm BST, and the rest of the schedule is below:


2020:09:15: ForeverWare

2020:09:22: the Retainer

2020:09:29: ATM with a Heart of Gold

2020:10:06: the Losers

2020:10:13: American's Scariest Home Video

2020:10:20: Just Say No Fun

2020:10:27: Heart on a Chain

2020:11:03: Broken Record

2020:11:10: the Dead Letter

2020:11:17: the Lost Hour

2020:11:24: Who's Who

2020:12:01: Marshall's Theory of Believability

2020:12:08: Tornado Day

2020:12:15: Hole in the Head Gang

2020:12:22: Mr. Chaney

2020:12:29: No Brain, No Pain

2021:01:05: Loyal Order of Corn

2021:01:12: Zombies in PJs

2021:01:19: Reality Takes a Holiday
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Eerie, Indiana Pop. 16,661 | Halloween Love
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Revisiting a beloved show from your early childhood can be a wonderful stroll down memory lane.
Or, it can end up being a frustrating trip into the questionable tastes of your youth.

Today I would like to share with you my thoughts on one such show I chose to re-watch, almost 25 years after I had originally watched it, Eerie, Indiana.

The show first aired on NBC just in time for the Spooky Season, September 1991.
After the original airing of 18 episodes (where the 5th episode was omitted from broadcast), it re-ran in syndication on The Disney Channel and the 5th episode, previously unseen, was added back to the roster. In 1997, the series re-ran in its entirety again, this time on the popular Fox Kids Saturday morning block, which is when I would have seen and remembered it since I was too young to remember most things in 1991 and too poor to have the Disney Channel in 1993.

Eerie Unsolved Mysteries
The only thing I remembered about the show before rewatching it is it was less horror than Goosebumps or Are You Afraid of the Dark and more quirky, weird, and well, eerie. I was really into aliens and paranormal mystery at that age and it seemed like a kid-friendly X-Files or Outer Limits made just for me.

I loved the sidekick character as a kid, he was always down for anything, but I couldn’t remember his name (it’s Simon). I did remember Marsh’s (the main character’s) mother and I shared a name. It’s very weird to hear your name so much coming from the TV. How do people with more common names deal with that?!

Re-watching it was a lot of fun, at first.
I enjoyed the storytelling and the show’s ability to mix the surreal with the real. There is a multitude of “visual gags” and esoteric easter eggs throughout the show that I was able to appreciate this time around that my 10-year-old brain would not have noticed or understood. I wonder how many I missed this time around too? I could spend another entire rewatch just looking in the background!

The writing and plots are easy enough to understand for the kiddos but every episode has something that went *woosh* right over my head when I was a kid. Especially the references in every episode to old movies, music, TV shows, and books all from the horror, science fiction, or mystery genre.

Eerie Background Gags
I understand these references now, of course, having obsessively sought out and consumed popular media of those genres for most of my life at this point. However, when it was airing and I was 10, I was really just starting to get into seeking out those types of stories on my own instead of just the stuff my family was showing me.

After thirteen episodes,
if you count the one which did not air during the first network run, the series was re-worked to include Jason Marsden’s “Dash X” who I absolutely hate as a main character. He would have been okay to be in his premiere episode, where he is part of the mystery itself, plus maybe a background player in one or two more episodes. I just think he ruins the mood of the show in the final 6 episodes.

The character of Dash-X is mean-spirited and sabotages the fun and mystery I really enjoyed about the show. Jason Marsden really over-acts in a way that is distracting and his gravelly Batman voice gets on my last nerve. I’ll say after comparing the first 13 episodes to the final 6, a significant portion of the charm is gone with Mr. Negative-Positive-Minus-Plus-Dash-X around.

Eerie Dash X
I was unable to find a clear reason why the episode that didn’t originally air was kept off the screen on October 13th, 1991, but it’s a really heavy episode and I wonder if the subject matter or possible world events prevented it from being shown on-schedule. I did some digging trying to find any world events or major crimes that may have happened in the weeks leading up to the scheduled broadcast but was unable to find anything that gave me an “Ah-ha!” moment. Maybe instead the timeslot was given to a very special episode of another show or a one-off Halloween kids special of some kind?

The un-aired episode is called “Broken Record”
and it is about classmate and friend of our regular characters, Todd. Todd is the modern, early ’90s, tween son of an out-of-work farmer who, a year after losing their farm and being unable to find supplementary work, had begun to take out his frustrations on his young son in the form of relentless verbal abuse. Much like I am sure his father did before him.

Marsh introduces Todd to a Pit Bull Surfers album (I believe this to be a play on Butthole Surfers but have nothing to verify that claim as this episode was written 5 years before they had a huge hit outside of the Texas avant-garde rock scene), which contains the song “Eardrum Lobotomy.” With lyrics like:

“No one understands you. No one digs your dream. Just crank up the music, don’t want to hear your parents scream. What you need is an Eardrum Lobotomy, yeah yeah yeah!“

This really resonates with Todd and his parental issues, so he takes the album home.

Eerie Pit Bull Surfers
Marsh tells his young friend Todd (who’s really getting into the band The Pit Bull Surfers at this point) that Marsh doesn’t take the band very seriously due to “all that dumb Nazi stuff” and it’s just good music for mindless headbanging to help alleviate the aggression of their 12-year-old lives. It’s never elaborated on, but I like to think that because of their distaste for parental control, Pit Bull Surfers have several other songs about being against authoritarian ultra-nationalism and dictatorial power.

Eerie Todd
Then later in the episode, Todd’s father calls all rock music “Communist Liberal garbage” and that everyone knows messages are embedded in rock music, and “those people hide their intentions.” Once the message about parental abuse having a dramatic impact on a child’s demeanor is well-established, we enter the climax of the episode.

Todd steals and then crashes a dairy truck because like most 12-year-olds, Todd doesn’t know how to drive. It is mentioned that Todd gets quite banged up in the crash, but the fear of his father has him up and moving around in just minutes. Todd’s ex-farmer father has a huge anger explosion where, in an attempt to prove hidden messages in music are what is making his child misbehave, not his bad parenting and verbal abuse, he plays the records backward, and learns a valuable lesson.

Broken Record is a pretty good episode, but certainly not the best one of the first 13.

After re-watching the entire series twice,
once for fun and once for when I decided to write this article, I would say I highly recommend it. If you’re a first-timer or you would be re-visiting the series it’s worth the time. If you have children who are into the weird and wacky, I imagine watching it with them would be a blast!

There’s a spin-off series from 1997 called Eerie, Indiana: The Other Dimension, as well as several young adult paperback novels, written around the same time as the spin-off, taking place in the Eerie universe that I really want to check out.

I would like to end this retrospective with a nugget of wisdom that would have flown over my head at 9 but really spoke to me as an adult:

“Do not trust a dude with a ponytail whose first name is ‘The.’“

As always, I would like to know what you think! Did you watch Eerie as a kid? Have you re-watched it as an adult? Have you introduced any kids now to it and if so, did they think it was dated? Please reach out to me on Twitter if you would like to talk about the show and let me know!
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Here’s some more episodes of Eerie Indiana.

In The Retainer, Marshall is trepidatious about visiting the dentist. Not suprising when his dentist is Vincent Schiavelli.

His friend Steve has a massive retainer that lets him talk to dogs.

They learn of a conspiracy among the town’s dogs.

The next episode is The ATM with the Heart of Gold. Marshall’s dad has created a friendly computerised teller, slightly reminiscent of Max Headroom.

Gregory Itzin plays the town mayor. He really is the go-to actor for untrustworthy elected officials, isn’t he?

Marshall’s friend Simon starts getting money from the ATM, because he’s nice to Mr Wilson.

In the next episode, The Losers, Marshall’s dad loses an important presentation. The search leads to some strange places, and an appearance by Joe Dante regular Dick Miller. Not surprising, since this episode is directed by Joe Dante.

Another Dante regular is Henry Gibson, who works in the Bureau of Lost.

Next, it’s America’s Scariest Home Video. It’s Halloween, which can’t be good in Eerie. Marshall’s younger brother is stuck in the TV, and the Mummy has got out, only it’s the actor who played the Mummy years ago.

Next it’s Just Say No Fun.

I’ve just noticed their school is BF Skinner High School – named after the behaviourist who invented the theory of operant conditioning, and the Skinner Box, an experiment where doves were trained to collect food from a dispenser. The dispenser would randomly deliver seed in response to buttons the doves would peck, but it was always random. However, the doves would develop momre and more complex, repeated behaviours in the apparent belief that what they were doing was key to the seeds being given.

Simon is given new glasses, and suddenly he’s boring and just wants to do schoolwork.

There’s a tiny bit of the end credits of Mork and Mindy before the next episode.

Then, an episode Heart on a Chain. A new girl, Melanie, joins Marshall’s class. She has a life-threatening heart problem, and is waiting for a transplant. And all the boys in class fall in love with her. She’s played bu Danielle Harris, possibly familiar to you as Bruce Willis’ daughter in The Last Boy Scout.

Marshall gets love advice from Elvis, who lives on his paper route.

It has a sad ending.

This is the last episode here. After this, recording continues with the start of Channel 4 News.
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Radford looked at the tower of catch-and-release mousetraps in front of him, and then, with some difficulty, looked over them at Simon.

"Rodent problem?" he asked.

Simon nodded. There were dark circles under his eyes and his hand-me-down jumper had even more holes in it than usual.

"Harley and the Ratking turned on each other," he said. "Something about this town only being big enough for one avatar of creeping disease, and also Harley spending too much time with that goat he stole from the Witch Queen last Halloween."

He sighed deeply, a teenage boy wearied by the machinations of Antichrists and vermin lords alike.

"Now the Ratking is threatening to chew the bottom out of every cereal box in Eerie unless Harley grants him a share of this year's soul harvest."

"Oh dear," said Radford. "Good thing I've still got that shipment of experimental coffee cake from Things Incorporated out the back. It's about to be the only breakfast food left in Eerie."

Simon picked up one of the live-capture cages and fiddled absently with it.

"I just need to get to some of the Brainrats," he said. "You know, the bigger, smarter ones that make up the Ratking's mind. If I can talk to them, I can make them see that this isn't something worth fighting over."

"Not to you, maybe," said Radford. "You're Harley's big brother. You've always come first with him, so you don't know what it's like when he chooses something else over you."

He shook out a large paper grocery sack and began bagging the mousetraps.

"You see, the Ratking never saved Harley from eating a lizard. He never took him on exciting adventures where they got to terrify an old man in stage makeup."

"That's not-" Simon began, then stopped.

"If you want my advice," said Radford, "And you didn't ask for it, so you shouldn't feel obligated to take it, but if you want it: forget about the Brainrats. They're big and sleek and they scurry about independently, and that's all well and good when a Ratking schemes his schemes, but for something like this?"

He tapped his index finger to the monogrammed breast pocket of his paisley-patterned shirt and continued.

"Look for the Heartrats. They're smaller, tightly-wound - physically as well as metaphorically - and they don't move around as much."

He passed Simon the bulging brown bag.

"On the house," he added.

Ongoing Verse: Holmes Brothers

Read more... )
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“Questions were playing tiddly winks with my grey matter...”

Most times you go back to watch a programme from your youth, it's pretty disappointing. Every now and then, however, they're genuinely as good as you remember. Eerie, Indiana is one of those special few. There are a handful of series that tried to be The Twilight Zone for kids. Round the Twist (which I'll be coming back to in another article) is well-remembered by British and Australian audiences. Are You Afraid of the Dark and Goosebumps scared the kids of the early and late nineties, respectively. None had the wit of Eerie, Indiana. So why this series only lasted for a single season baffles me.

The series was set in the eponymous town of Eerie, Indiana, population 16,661. Marshall 'Mars' Teller moves to Eerie with his family. Only he, and his best friend, Simon, seem to notice just how bizarre life in Eerie really is. Bigfoot eats out of Marshall's trash, Elvis is on his paper round, and each episode, some uncanny occurrence makes becomes the subject of Marshall and Simon's investigations. The situations the duo faced were man and varied. Some were drawn from classic horror and sci-fi, but with a twist, such as “America's Scariest Home Video,” which drew the Mummy straight out of a black-and-white movie and into Marshall's living room, while Simon's younger brother took his place (and proved far scarier). Some drew on science fiction for their inspiration, such as the HAL 9000 riff “The ATM With a Heart of Gold.” Others were barmy in their originality. “No Brain, No Pain,” involved a shambling vagrant, who was in fact a genius, but had accidentally taped over his mind with a copy of The Knack's My Sharona.

While the writing was generally very good for a children's drama, it was the direction and the cast that really set Eerie apart from its rivals. While Jose Rivera and Karl Schaefer were credited as the series' creators, Joe Dante was a major creative force on the show, directing several episodes. This is the man who directed such sci-fi classics as Innerspace, Gremlins and, um, Piranha. Not the sort of person you'd expect to be working on a children's TV series for the Disney Channel. The cast were what really made it, though. The series boasted not only a solid regular and semi-regular cast, but some of the best guest actors in television. Weird old Vincent Schiavelli played the town's terrifying orthodontist, while Rene Auberjonois tried to brainwash the town. Dante's favoured actor, Archie Hann, played Mr Radford, the proprietor of the World O' Stuff, until the series' midpoint turnaround, when he was revealed to be an imposter. The real Radford was revealed, played with twinkling charm by John “Gomez” Astin. In one fan-favourite episode, “The Lost Hour,” putting the clocks forward one hour incorrectly stranded Marshall in an empty parallel version of Eerie, with only a mysterious milkman to turn to for help. That milkman – who, it was hinted, may have been Marshall's own future self – was played by the late, great Eric Christmas, an actor who was born to play the Doctor. These impressive guest spots and many clever references make the series a joy to watch for genre fans.

It would be wrong to overlook the core cast, however. Omri Katz was the star of the show. Fifteen at the time of filming, but playing it a little younger, Omri was perfect as Marshall, representing the many young boys who were just entering puberty and being torn between silly kids' shows and adult life. Omri gave Marshall a wide-eyed wonder at the weirdness of the world, with just enough snark to make the character snappy, but never obnoxious. Stealing the show, though, was Justin Shenkarow, four years younger, as Simon Holmes. Justin dominated every scene he was in, despite being the youngest member of the cast. Simon was an outsider in Eerie, and became close friends with Marshall, only to find himself take a backseat to the teenager's problems. Popularity, school, and above all, his burgeoning interest in girls, threatened to take Marshall away from Simon, but at the end of the day, the two were inseparable. There was a lot for young boys to relate to.

Marshall's family were equally as important to the setup, forever oblivious to the strange goings on around them. Frances Guinan was just the right side of eccentric as his father Edgar. Possibly named in association with Edward Teller, inventor of the hydrogen bomb, Edgar tried to keep afloat with his career as an inventor for Things Incorporated. His inventions were often a main plot point in the series. Marshall's mother, Marilyn, was played Mary-Margaret Humes, who I only now realise was quite impossibly sexy and wasted as Edgar's housewife. As Marshall's older sister, Syndi, Julie Condra provided the boys watching with the twin interests of an irritating sibling to run rings round, and a beautiful young woman to gaze at.

It was something of a boys' show. Marshall had a new crush every other week, and while the girls were often strong, impressive characters, there was less for the female members of the audience. That changed in the thirteenth episode, which began a process of revamping the series by introducing Jason Marsden – that guy who's in everything, these days – as Dash X. A mysterious, amnesiac with grey hair, Dash X didn't know his real name or where he came from. He became the amoral antagonist to Marshall's hero, sometimes helping him, sometimes out for himself. He might possibly have been an alien, and was even seemingly aware that he was part of a television programme. He was also, importantly, the one all the girls watching had a crush on.

Dash X threatened to steal the series away from Marshall, something that the producers were fully aware of. In what was surely intended as the final episode of the series, but actually aired as the penultimate instalment, Marshall woke up to find that his name was really Omri, and his entire life was, in fact, part of a TV show. “Reality Takes a Holiday” was an ingeniously postmodern episode, and saw Dash X – the only character referred to by his fictional name, and not his actor's name – attempt to oust Marshall as the star. Genuinely clever, it was a high point for the series.

My favourite episode, however, was “Heart on a Chain.” Marshall and a previously unmentioned classmate, Devon (played by another Dante favourite, Cory Danziger), both fall for the new girl, Melissa. When Devon is killed in a road accident, his heart is transplanted into the desperately ill Melissa, who begins to display some of Devon's personality traits. Marshall and Melissa's burgeoning romance is sabotaged by Devon's restless spirit. Apart from the fact that I had a huge crush on Danielle Harris, who played Melissa, this episode really touched me as a kid. Watching it again now, it's still affecting. It's a genuinely sweet, sad, creepy little ghost story, just really fine television.

For all the silliness, references and naff monsters, Eerie, Indiana was quite a dark, subversive series. The strangeness of the town and its supposed ordinariness was a metaphor for the harsh realities that are so often kept behind closed doors. While Marshall had a strong, loving family, Simon was from a broken home. He was able to spend so much time with the Tellers because his mother was rarely home, and his father was often “entertaining.” Other characters' lives were rarely anything to celebrate. “Who's Who” revolved around a young girl whose mother had abandoned her, and who was neglected and exploited by her father and brothers. Even the pilot episode, “Foreverware,” hinted at the dark secrets behind so many supposedly perfect families.

For some reason, Eerie, Indiana never took off on its initial 1991-2 run. It sank without a trace, with certain episodes not even airing. It wasn't until 1997 that Fox bought the series and it was given a new lease of life. It was then that the series made it overseas, onto the Saturday mornings of my thirteen-year-old self. It became successful enough to spawn a spin-off series, Eerie, Indiana: The Other Dimension. The concept was rather clever: in a parellel version of Eerie, life is perfectly normal, until a crazy cable guy opens an interdimensional rift. This lets the weirdness of the “prime” Eerie through to the Other Dimension, and threatens to destroy the Eeries of all realities. Marshall and Simon even appeared in the first episode to help out their younger equivalents, Mitchell and Stanley. However, although the effects had improved over the years, the scripts hadn't, and the weaker sequel series lasted only one season itself.

Eerie, Indiana amassed something of a cult following in its brief renaissance, but has little legacy. Even much of its cast are no longer acting. Omri Katz made the occasional film up until about eight years ago, while Justin Shenkarow now does mainly voice work. Julie Condra no longer seems to be acting. Of course, many of the more legendary guest stars are no longer with us. On the other hand, Jason Marsden is a familiar face on American television, Danielle Harris has become something of a modern day scream queen, and some kid called Tobey Maguire, who played a ghost boy, did quite well for himself. Still, I doubt any of these roles will make me smile quite as much as Eerie, Indiana.
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Right off the top of my head, I can think of no less than ten cult classics from the world of television. Among them would be Friends, Game of Thrones, and even crime dramas like NCIS. Going back a decade (or two), I’d even say shows like Buffy the Vampire Slayer and Charmed make the list as early favorites in the supernatural genre.

But, we’re not here to talk about these already-popular TV shows. No, in this article we want to talk about the shows that weren’t quite as popular while they were on the air. They may have had a loyal fanbase then. But that was nothing to what they gained after they ended.

With the multitude of streaming platforms available today, it’s entirely possible for anyone to become a fan – albeit a late one – of a show that’s already seen its demise. And like one show we’ve got on the list, a recent revival or reboot can also boost the original’s popularity.

With that in mind, let’s take a look at three TV cult classics that were unpopular when they aired.

Eerie Indiana

We mentioned the TV cult classics Buffy and Charmed, but did you know that the supernatural genre kicked off much earlier than that? Twin Peaks set it off in 1990. Followed by Eerie, Indiana the year after.

The latter follows two young boys as they explore the town they describe as “the center of weirdness for the entire planet”. The show’s introduction tells it all. There’s a still-alive Elvis, Bigfoot as their neighbor, and oddly-behaving dogs. Though, of course, no one believes them.

NBC’s Eerie, Indiana is the perfect balance of spooky and humorous, with the occasional nod to classic movies like The Fly, The Mummy, and even The Wizard of Oz. Sadly, critics continue to describe it as “a little ahead of its time”. Because it starred teens, it seemed logical that this would be the target audience. However, the tween horror market just hadn’t bloomed yet and the show was canceled.

Like I said, it was just a little ahead of its time. The year after it was canceled, R.L. Stine’s Goosebumps books were released, and Nickelodeon’s Are You Afraid of the Dark was starting to gain traction. Because of the growing popularity of the genre, Disney syndicated the show to air again from 2003 to 2007.

Generating a brand-new fan base yet again in 1997, the show saw its second revival on Fox Kids. And that’s where its popularity bloomed to cult status. Fox even produced a one-season spin-off, Eerie, India: The Other Dimension in 1998.

As a testament to its timelessness, The AV Club cites the complete DVD box set to go for as much as $100 on Amazon! Or, you know, you could always just stream it on Prime Video.

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