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Happy Birthday to the ULTIMATE 90’s TV Mom, Mary-Margaret Humes. Thank you for being so cool with Simon staying over and for buying us that disguise kit that one time. It really did come in handy! #EerieIndiana #MarilynTeller #DawsonWho @mm_humes pic.twitter.com/HAVOSf6yRF
— Return to Eerie, Indiana (@eerieindianapod) April 4, 2021

Happy Birthday to the ULTIMATE 90’s TV Mom, Mary-Margaret Humes. Thank you for being so cool with Simon staying over and for buying us that disguise kit that one time. It really did come in handy! #EerieIndiana #MarilynTeller #DawsonWho @mm_humes pic.twitter.com/HAVOSf6yRF
— Return to Eerie, Indiana (@eerieindianapod) April 4, 2021

So...
Marshall's mom on eerie Indiana is also Dawson's mom on Dawson's Creek. #Smallworld
— _j_l_h_ (@John_L_Harmon) November 20, 2020

I talk about boob tattoos in two new podcast episodes that dropped this week! Both Mary-Margaret Humes in #EerieIndiana and Tiffany in #BrideofChucky are rocking the tit ink, and I love it.

Check out @eerieindianapod and @TheFinalGirlsUK for all the gory details 🦂💘 pic.twitter.com/C59Vk4GyLQ
— Darke Willow (@bunnydarke) October 10, 2020

friendof_dorothy

Edgar in Who's Who making a Dad Joke

Eerie, Indiana Colour Edit

- Im literally so proud of this ;^; I've wanted to make a gifset like this forever but I never quite seemed to get it right but now i have and i can basically die happy

Get To Know Me Meme: Favourite Actress [1/5] Mary-Margaret Humes

Technically an Eerie Post because I included THE top from RTAH, but also since I would probably never have even known who MM was if not for watching Eerie. yes I did just out myself as someone who has never seen Dawson's Creek asdjgndjgnvsf

ETA: also if you're looking at my blog on desktop (or anywhere that you can see my theme) I added a new gif to my sidebar of Marshall and Simon in ATM :-)

ALSO!! My quiz is still open if you would like to take it! I'll probably be keeping it open till the end of the month or so :-)

“Questions were playing tiddly winks with my grey matter...”

Most times you go back to watch a programme from your youth, it's pretty disappointing. Every now and then, however, they're genuinely as good as you remember. Eerie, Indiana is one of those special few. There are a handful of series that tried to be The Twilight Zone for kids. Round the Twist (which I'll be coming back to in another article) is well-remembered by British and Australian audiences. Are You Afraid of the Dark and Goosebumps scared the kids of the early and late nineties, respectively. None had the wit of Eerie, Indiana. So why this series only lasted for a single season baffles me.

The series was set in the eponymous town of Eerie, Indiana, population 16,661. Marshall 'Mars' Teller moves to Eerie with his family. Only he, and his best friend, Simon, seem to notice just how bizarre life in Eerie really is. Bigfoot eats out of Marshall's trash, Elvis is on his paper round, and each episode, some uncanny occurrence makes becomes the subject of Marshall and Simon's investigations. The situations the duo faced were man and varied. Some were drawn from classic horror and sci-fi, but with a twist, such as “America's Scariest Home Video,” which drew the Mummy straight out of a black-and-white movie and into Marshall's living room, while Simon's younger brother took his place (and proved far scarier). Some drew on science fiction for their inspiration, such as the HAL 9000 riff “The ATM With a Heart of Gold.” Others were barmy in their originality. “No Brain, No Pain,” involved a shambling vagrant, who was in fact a genius, but had accidentally taped over his mind with a copy of The Knack's My Sharona.

While the writing was generally very good for a children's drama, it was the direction and the cast that really set Eerie apart from its rivals. While Jose Rivera and Karl Schaefer were credited as the series' creators, Joe Dante was a major creative force on the show, directing several episodes. This is the man who directed such sci-fi classics as Innerspace, Gremlins and, um, Piranha. Not the sort of person you'd expect to be working on a children's TV series for the Disney Channel. The cast were what really made it, though. The series boasted not only a solid regular and semi-regular cast, but some of the best guest actors in television. Weird old Vincent Schiavelli played the town's terrifying orthodontist, while Rene Auberjonois tried to brainwash the town. Dante's favoured actor, Archie Hann, played Mr Radford, the proprietor of the World O' Stuff, until the series' midpoint turnaround, when he was revealed to be an imposter. The real Radford was revealed, played with twinkling charm by John “Gomez” Astin. In one fan-favourite episode, “The Lost Hour,” putting the clocks forward one hour incorrectly stranded Marshall in an empty parallel version of Eerie, with only a mysterious milkman to turn to for help. That milkman – who, it was hinted, may have been Marshall's own future self – was played by the late, great Eric Christmas, an actor who was born to play the Doctor. These impressive guest spots and many clever references make the series a joy to watch for genre fans.

It would be wrong to overlook the core cast, however. Omri Katz was the star of the show. Fifteen at the time of filming, but playing it a little younger, Omri was perfect as Marshall, representing the many young boys who were just entering puberty and being torn between silly kids' shows and adult life. Omri gave Marshall a wide-eyed wonder at the weirdness of the world, with just enough snark to make the character snappy, but never obnoxious. Stealing the show, though, was Justin Shenkarow, four years younger, as Simon Holmes. Justin dominated every scene he was in, despite being the youngest member of the cast. Simon was an outsider in Eerie, and became close friends with Marshall, only to find himself take a backseat to the teenager's problems. Popularity, school, and above all, his burgeoning interest in girls, threatened to take Marshall away from Simon, but at the end of the day, the two were inseparable. There was a lot for young boys to relate to.

Marshall's family were equally as important to the setup, forever oblivious to the strange goings on around them. Frances Guinan was just the right side of eccentric as his father Edgar. Possibly named in association with Edward Teller, inventor of the hydrogen bomb, Edgar tried to keep afloat with his career as an inventor for Things Incorporated. His inventions were often a main plot point in the series. Marshall's mother, Marilyn, was played Mary-Margaret Humes, who I only now realise was quite impossibly sexy and wasted as Edgar's housewife. As Marshall's older sister, Syndi, Julie Condra provided the boys watching with the twin interests of an irritating sibling to run rings round, and a beautiful young woman to gaze at.

It was something of a boys' show. Marshall had a new crush every other week, and while the girls were often strong, impressive characters, there was less for the female members of the audience. That changed in the thirteenth episode, which began a process of revamping the series by introducing Jason Marsden – that guy who's in everything, these days – as Dash X. A mysterious, amnesiac with grey hair, Dash X didn't know his real name or where he came from. He became the amoral antagonist to Marshall's hero, sometimes helping him, sometimes out for himself. He might possibly have been an alien, and was even seemingly aware that he was part of a television programme. He was also, importantly, the one all the girls watching had a crush on.

Dash X threatened to steal the series away from Marshall, something that the producers were fully aware of. In what was surely intended as the final episode of the series, but actually aired as the penultimate instalment, Marshall woke up to find that his name was really Omri, and his entire life was, in fact, part of a TV show. “Reality Takes a Holiday” was an ingeniously postmodern episode, and saw Dash X – the only character referred to by his fictional name, and not his actor's name – attempt to oust Marshall as the star. Genuinely clever, it was a high point for the series.

My favourite episode, however, was “Heart on a Chain.” Marshall and a previously unmentioned classmate, Devon (played by another Dante favourite, Cory Danziger), both fall for the new girl, Melissa. When Devon is killed in a road accident, his heart is transplanted into the desperately ill Melissa, who begins to display some of Devon's personality traits. Marshall and Melissa's burgeoning romance is sabotaged by Devon's restless spirit. Apart from the fact that I had a huge crush on Danielle Harris, who played Melissa, this episode really touched me as a kid. Watching it again now, it's still affecting. It's a genuinely sweet, sad, creepy little ghost story, just really fine television.

For all the silliness, references and naff monsters, Eerie, Indiana was quite a dark, subversive series. The strangeness of the town and its supposed ordinariness was a metaphor for the harsh realities that are so often kept behind closed doors. While Marshall had a strong, loving family, Simon was from a broken home. He was able to spend so much time with the Tellers because his mother was rarely home, and his father was often “entertaining.” Other characters' lives were rarely anything to celebrate. “Who's Who” revolved around a young girl whose mother had abandoned her, and who was neglected and exploited by her father and brothers. Even the pilot episode, “Foreverware,” hinted at the dark secrets behind so many supposedly perfect families.

For some reason, Eerie, Indiana never took off on its initial 1991-2 run. It sank without a trace, with certain episodes not even airing. It wasn't until 1997 that Fox bought the series and it was given a new lease of life. It was then that the series made it overseas, onto the Saturday mornings of my thirteen-year-old self. It became successful enough to spawn a spin-off series, Eerie, Indiana: The Other Dimension. The concept was rather clever: in a parellel version of Eerie, life is perfectly normal, until a crazy cable guy opens an interdimensional rift. This lets the weirdness of the “prime” Eerie through to the Other Dimension, and threatens to destroy the Eeries of all realities. Marshall and Simon even appeared in the first episode to help out their younger equivalents, Mitchell and Stanley. However, although the effects had improved over the years, the scripts hadn't, and the weaker sequel series lasted only one season itself.

Eerie, Indiana amassed something of a cult following in its brief renaissance, but has little legacy. Even much of its cast are no longer acting. Omri Katz made the occasional film up until about eight years ago, while Justin Shenkarow now does mainly voice work. Julie Condra no longer seems to be acting. Of course, many of the more legendary guest stars are no longer with us. On the other hand, Jason Marsden is a familiar face on American television, Danielle Harris has become something of a modern day scream queen, and some kid called Tobey Maguire, who played a ghost boy, did quite well for himself. Still, I doubt any of these roles will make me smile quite as much as Eerie, Indiana.

I am neck-deep in an "Eerie, Indiana" marathon. I adore this series. It was a weird depiction of early '90s Americana, similar to David Lynch's "Twin Peaks", but with a stronger paranormal and supernatural spin on it (think "The X-Files" for the pre-teen audience). Overall, it holds up really well, and I'm surprised at times by the caliber of the talent that worked on this series, particularly the cast, the writers, and the guest directors.

The first sitcom about adolescent paranoia and depression Eerie, Indiana is certainly novel way to end the weekend; up against 60 Minutes and Life Goes On, this new series is like Life Stands Still for 30 Minutes. Eerie‘s premise is simple and alluring: Marshall Teller (Omri Katz) is a smart, skeptical teenager whose family has recently moved from New Jersey to Eerie, Ind. Bored silly by Midwestern small-town life, Marshall is soon exhilarated and shocked to discover that Eerie is, as he says each week, ”the center of weirdness for the entire universe”.

How weird? Well, Eerie is a place where crows fly around carrying human eyeballs in their beaks, where the rotund fellow in the bathrobe stooping to pick up morning paper proves to be Elvis Presley. And that’s just in the show’s opening credits. The series’ recent debut is already a near legend for its introduction of Foreverware — human-size, Tupperware-like containers that hold warm bodies in suspended animation for years; a woman down the street from Marshall was selling the stuff door-to-door.

In a subsequent episode, a neighborhood youth whom Marshall had just met discovered that the canines were planning a violent revolt against their masters (The hounds chant, ”Bite the hand that feeds us!” and ”Today, Eerie tomorrow — Indianapolis”) Eerie Indiana has been invented by producers Karl Schaefer (TV 101) and Jose Rivera seemingly to give a wholly different meaning to the phrase ”new kid in strange town.”

Katz used to play a mostly silent, wide-eye son to Larry Hagman’s J.R. on Dallas (talk about your eerie experiences). With his lank brown hair falling over his big, sensitive eyes, Katz is an ideal Eerie Everyboy. His face is hand-some yet blank; each week. Katz’s Marshall tells us different story about some odd person or event in Eerie, and when he looks into the camera to emphasize his sincerity and wonderment, you’re not sure if you’re supposed to think this crazy stuff really happened to this kid, or if he?s just making it up as goes along.

At its best, Eerie combines two pop-culture phenomena: the substantial youth market for supernatural fiction (everything from Stephen King novels to the Nightmare on Elm Street movies) plus the let’s-take these-young-people-seriously attitude that made Beverly Hills, 90210 and Doogie Howser; M.D. touchstones for teen TV audience. Eerie proceeds on the assumption that Marshall’s adventures are so imaginative, so elaborately worked out, that they give adolescent daydreaming a good name, and thus afford much comfort to teenage goof-offs all over America.

So far, however, the show’s concepts have been funnier than its scripts. There are no conventional punch lines in thus laugh track-less sitcom, and most of the jokes rate little more than a smile. You watch Eerie for the small-screen spectacle of it all — to see the way, in the show’s first few weeks, feature-film directors like Joe Dante (Gremlins) and Tim Hunter (River’s Edge) oversaw episodes that summoned up an atmosphere of absurdist suburban dread. In a bit of overstatement more hilarious than anything in their show, Schaefer and Rivera have said that what they’re doing is the TV equivalent of the so-called ”magic realism” of Latin American writers such as Gabriel García Márquez (One hundred Years of Solitude). Sure guys. If Eerie is magic realism, I’m Edmund Wilson. Right now, Eerie is more interesting than entertaining.

And like a lot of interesting comedy, Eerie is, when you stop and think about it for a minute, rooted in some sobering notions. For example, if you believe the tenets of pop psychology and hundred Geraldo/Oprah/Phil talk shows, a boy like Marshall would be, in real life, a perfect candidate for teen suicide. He’s a morose loner with an overactive fantasy life, alienated from his family and most of his peers, whit very little parental supervision. ”I’m worried about Marshall,” said his mom in the second episode, but neither she nor her husband ever does anything about this poor mope of a kid.

Eerie, Indiana certainly gets one thinking, doesn’t it? I also wonder if anyone will ever mention how eerie it is that Marshall’s cute mother (Mary Margaret Humes) and cute sister (Julie Condra) look to be the same age, and whether Marshall’s Oedipal complex is extra-eerie as result. One of the ways this series seems bound to disappoint us is inevitable failure to explore its ideal topic: a male teen’s surreal fears and fantasies about sex. Can’t do that sort of thing before 8 on Sunday nights, can you? Too bad; it could have been a riot. B

Hey @JohnWesleyShipp, mrs Leary was on eerie Indiana, why wasn’t there a JWS cameo? pic.twitter.com/jjWerZlLPs
— Craig Коще́й (@PittPenguin44) October 17, 2019

Few TV shows that have been so shortlived have had the impact of Eerie, Indiana. Despite only 19 episodes, its gone on to become a cult phenomenon, winning over adults and children alike. And its not hard to understand why. Its such a groundbreaking show. With a dizzying intelligence. Truly unique plot lines. And its fun too! I've never met a single person who didn't find something to enjoy from Eerie, Indiana.

The whole concept of smalltown weirdness is not a new one. In fact Eerie was beaten to the punch a year earlier by Twin Peaks. But its what it does with the idea that makes it stand out so vividly. The Creative Consultant for the show is the greatly underrated Joe Dante, the man behind similar classics like Gremlins and The Burbs. I think the idea of a not so nice interior lurking beneath the shiny exterior is something that appeals a great deal to Dante, and Eerie, Indiana may be the peak of Dante's conceits.

If all television was as good as this we'd be living in much happier times. And Dante put some of his best work into the show. In the films I mentioned, Joe Dante seems to enjoy watching small havens of utter normalcy being overturned by sinister forces. Whether it be vicious monsters or nutty neighbours, the mayhem he unleashes is always entertaining. And Eerie, Indiana is no exception.

One of the series' striking elements is the way it takes these bizarre plot lines and makes them oddly plausible. And that is no truer than in the first episode, Foreverware, a story that does a superb job of introducing us to the world of Eerie, Indiana. Try to get your heads around this! The women of Eerie seal themselves into giant tubs of Tupperware so they can stay young (and fresh!) forever. In any other TV series, watching such a plot line unfold would be monumentally stupid. In Eerie, it works!

And that's just for starters. You're constantly being knocked out by the way it courts unbelievable lunacy and turns it into great viewing. Eerie seems to be the focal point for just about every unusual happenstance in the entire world. The Losers is a particularly interesting episode where we discover a vast storage depot for lost items hidden beneath the streets of Eerie.

Eerie, Indiana was a TV series that was far, far ahead of its time. Some of the issues it chose to address were eerily(!) prescient. In particular the last episode, Reality Takes a Holiday. An episode that predates reality television (before anyone even coined the term) and The Truman Show by staging it in the real world. The town is nothing more than a set on a studio lot. And the actors play themselves. Keep an eye out for Joe Dante! The series was unexpectedly cut short after that but it was a good episode to go out on. A staggering episode that actually forces you to question your own beliefs in what you've been watching all this time.

The production staff selected a really fine cast to help the show along. Omri Katz is perfect as Marshall Teller, the new kid from New Jersey, who firmly believes Eerie is the 'centre of weirdness for the entire planet.' A quite wonderful young actor, his self-reliance never lapsed into smugness, and he was always a hero you rooted for. Justin Shenkarow is equally engaging as Simon, Marshall's sidekick. The two of them are a regular Mulder and Scully as they catalogue the oddities that come into their lives.

The rest of Marshall's family is great too. Francis Guinan is amusingly nerdy as Edgar Teller, a scientist into product testing. Mary-Margaret Humes is an appealingly sexy Mum, Marilyn Teller, a disorganised party organiser. And Julie Condra is annoying big sis Syndi Teller, a girl with the scariest eyebrows I've ever seen!

Along the way, the show picked up some additional characters. John Astin is aptly cast as Mr Radford, the owner of "World O'Stuff", the local youth hangout. Gregory Itzin is suitably slimy as Eerie's double-dealing money grubbing Mayor. And best of all is Jason Marsden as Dash X. Dash X comes into it halfway through. A boy of mystery with a head full of grey hair, he becomes an unwilling ally to Marshall and Simon during their adventures. Years ago, I found Dash X an irritation. I preferred it when it was just S & M. But in recent years, his character has grown on me. He's quite a good actor, and whether it requires him to be sharp, cynical or occasionally sympathetic, he's never less than impressive.

One of the things that's made Eerie, Indiana endure for so long is its shrewd intelligence. It never feels patronising. In fact, its a quite sharply cynical show when you stop to think about it. The Mayor even delivers a scathing speech regarding the people's ignorance of what really goes on in Eerie. They prefer not to know so they don't have to deal with it. They're happier that way!

Every Eerie fan has they're own favourite episode. Usually they vote for Reality Takes a Holiday, or the deeply creepy episode The Lost Hour, when Marsall ends up in a parallel Eerie just by setting his watch back. Mine is Just Say No Fun, an equally creepy story about a school optician who brainwashes the students into becoming model pupils when they're given an eye-test. It has quite an anarchic message the way it champions slacking and underachievement over good behaviour and schoolwork.

Eerie, Indiana has withstood the test of time. Its highly impressive the way the writers pull off feats of greatness, one after another. It never feels too juvenile. Its observations are often astute and witty. And there are plenty of joyous in-jokes and cameos for die-hard horror fans.

A superb show that ended long before its time.

If you could only have ONE which would you get? pic.twitter.com/OIKYSvob81
— FZ (@FilthyZinester) September 15, 2019

A check for my hometown was one of those poster girls. Her name was Mary Margaret Humes.
— jays.Jeopardy!recap (@jaysjeopardy) September 15, 2019

What a smile! pic.twitter.com/OoYPTxDOQW
— FZ (@FilthyZinester) September 15, 2019

That's the very one! That was right after she won Miss Thousand Islands. She was a runner-up in the Miss America Pageant but she broke down crying during the question-and-answer segment and it lost her points. Is like watching a hockey game.
— jays.Jeopardy!recap (@jaysjeopardy) September 15, 2019

2nd place ain't too shabby!
— FZ (@FilthyZinester) September 15, 2019

She was on the NBC show Eerie Indiana.
— jays.Jeopardy!recap (@jaysjeopardy) September 15, 2019

I skimmed her wikipedia page, she had quite the career!
— FZ (@FilthyZinester) September 15, 2019

See the pics here.

April 26 - 28, 2019 - Next weekend! Can’t wait - https://t.co/DHzSHC0MRJ @ChillerTheatre #DawsonsCreek #EerieIndiana #Flash #TeenWolf #NeverendingStory2 #NYPDBlue pic.twitter.com/nU1sFvz5e0
— John Wesley Shipp (@JohnWesleyShipp) April 21, 2019

New blog post: It's the final episode of the delightful Eerie, Indiana... will Marshall just get over being fired and accept his death scene like a good young Hollywood actor? https://t.co/THSGVjSLzq pic.twitter.com/YWXdEDB0Q2
— Fire-Breathing Dimetrodon (@MarieLetsEat) April 15, 2019

( Read more... )

Watching #WinterLoveStory on @HallmarkChannel
Also, I've liked Mary-Margaret Humes since #EerieIndiana and it's nice to see her in this movie. pic.twitter.com/9umXfuNwu6
— James Mendur (@JamesMendur) January 20, 2019

ight, Hallmark will be airing a brand new Countdown to Christmas movie called Christmas in Love. The movie stars Brooke D’Orsay, Daniel Lissing, and Mary-Margaret Humes. After you read all about this movie and watch it, come back and share any comments or questions that you may have in our comments section below.

Tonight’s movie airs at 8 p.m. Eastern/7 p.m. Central. If you miss tonight’s airing, it will air again on Nov. 15 at 10 p.m. Eastern, Nov. 17 at 2 p.m., Nov. 20 at 6 p.m., Nov. 23 at 12 p.m., Nov. 26 at 8 a.m., Dec. 1 at 4 p.m., Dec. 10 at 8 a.m., Dec. 15 at 12 p.m., Dec. 19 at 10 p.m., and Dec. 25 at 8 a.m.

To find out what channel Hallmark is on for you, click here to go to TV Guide’s listings. Then change the “Provider” (right under TV Listings) to your local provider. You’ll be able to scroll down to see what channel Hallmark is on for you.

( Read more... )

Who remembers Mary-Margaret Humes from the NBC TVshow, 'Eerie Indiana' ?

It was brought to my attention that there's a huge fandom for the 1991 series 'Eerie Indiana' that starred Mary-Margaret Humes as Marilyn Teller. The series, in reruns on streaming TV, is now a cult classic. I thought perhaps there's some DC fans that followed 'E.I' and find it interesting and fun trivia that Gale was someone else's loving mom before Dawson's.

There's more to learn about Mary in link below. Mary has been a busy versatile actor for years before she became "Mother Leery". Love that she shares with the fans and posts her amazing DC behind-the-scenes photography to her IG page. Love her!
-
http://www.angelfire.com/ga/dawscreek/gale.html

friendof_dorothy

I saw these press photos today while i was looking at pictures of Mary-Margret Humes. Interesting that Syndi gets her own picture, but it's very lovely.

#TechUnexpected
Final, unproduced Epof 'Eerie, Indiana' to be reenactedin real~time, 3D hologram, w/ Mary~MargaretHumesvoicing all roles
— Marc Crisafulli(@MarcCrisafulli) September 20, 2017

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froodle - Happy birthday Mary Margaret Hughes
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froodle - Johnlharmon on Eerie Indiana
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