Feb. 20th, 2020

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It's National Cherry Pie Day. We know Simon doesn't eat apple pie after the 1992 Harvest King incident, but is it possible he partakes in Agent Cooper's favourite repast?
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It's Thursday, the day we dedicate to Simon's absolute best boy, Sparky the Hellhound.

This week, meet my very first attempt to make my own Cerberus plushie:

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I enjoyed going to the Film Society of Lincoln Center last week and seeing a weird horror comedy from 1989 directed by Bob Balaban called Parents, about a 1950s suburban family in which the sullen little boy suspects that his parents are cannibals. It was enjoyably messed up to watch, and Randy Quaid was excellent as the strict and unsettling father, he had this slow and measured way of speaking that always just barely hid a psychoticness below the surface. I also adored Sandy Dennis as the school social worker who was funny in a quirky way and had a more 70's hippie look in a 1950s-set film. The score by Angelo Badalamenti gave it that eerie vibe that he used in David Lynch films, of a creeping horror score set amongst ordinary suburban life.

Balaban did a Q&A after the film, and has a funny mix of a quiet voice with a dry sense of humor. The film was a heightened version of his own 1950s childhood, where family secrets were kept hidden from him until adulthood, where he didn't know what his parents' lives were like when he wasn't around, and he felt small and repressed in a environment where everything has to look perfect on the outside. He told a lot of interesting anecdotes about his career, like directing episodes of genre shows like Tales from the Darkside, Eerie, Indiana, and Amazing Stories. He surprisingly did not like directing My Boyfriend's Back (the next film showing after Parents) due to studio restraints, though he enjoyed working with the cast, including an eager and young Philip Seymour Hoffman, who was cast as a bullying jock, but assured Balaban that he could play any role and do it well. It was a good evening of seeing a really odd movie and listening to a pleasant chat with a renowned comedic actor and director.
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I imagine that we have all also, at one time or another, been involved in some sort of gang – be it in the playground or maybe something a bit more post-pubescent and sinister. Either way, there’s a certain something about secret societies and clubs that is just deliciously enticing. LCF graduate and secret society fanatic Robert Ventura Gibson has burst onto the fashion scene and is currently the toast of the town with his outrageously beautiful menswear, inspired by Freemasons, Goosebumps, Illuminati, Filipino prison tattoos and Are You Afraid of The Dark. Robert kindly gave us an unbelievably intriguing in-depth interview, read on to find out the secrets of his collection…

Your sketches and mood-board pieces are brilliant! tell us about the inspiration behind the collection?
I’ve always watched a lot of TV, even as a kid, and I loved (and still do) programmes like Are You Afraid Of The Dark, Eerie Indiana, Goosebumps and films like Stand By Me. Growing up in the middle of nowhere, surrounded by woodland I’d spend a lot of time outside (when I could fit in around TV schedules) climbing trees, building things, making bows and arrows etc, but I always wanted to being in a secret club, going on mad adventures and solving crimes.

So, for my collection, I wanted to draw parallels between secret childhood clubs, like “The Midnight Society” in _Are You Afraid Of The Dark_, who just met up to tell stories, and the secret societies of the New World Order, looking at the Illuminati, Freemasons and The Bilderberg Group etc who seem to (according to followers of David Icke) control everything. I just thought it was funny that there’s always that desire to being a a secret club and knowing stuff that others don’t.

My dad was a Mason, so growing up I was very aware of it, I remember always wondering what he did at lodge meetings, what was in his briefcase and if I’d ever find out anything. I’m just realising it now, but I guess for me freemasonry has always had a connection with childhood. Spending so much time reading about secret societies has certainly had an effect on me though, just search “Illuminati olympics 2012” on Youtube, its a whole world of paranoia to get sucked into.

With regards to the actual product, I wanted to use classic menswear shapes to keep it wearable, twisted slightly with colour and surface decoration, so everything seemed a little off-kilter from the norm. I’m not someone who’s really strong at structural pattern cutting and crazy shapes, I’m a bit of a traditionalist and I guess I want to design clothes that I can show my mum and she’ll understand what’s going on and not wonder what I was doing at uni for seven years.

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Eerie Indiana

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