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It is no easy feat for a television series to maintain a fandom (and time slot) for four seasons, especially when you’re a show that takes such creative risks as rolling a giant cheese wheel over a group of bloodthirsty zombies. And yet therein lies the genius behind Syfy’s genre mashup “Z Nation,” a post-apocalyptic episodic adventure that is often compared to “The Walking Dead” but is more closely related to “Gremlins” or “Young Frankenstein.” Yes, there is a group of humanity’s leftovers, wily in their ways, attempting to survive a never-ending army of the undead, but they’re doing it with punchlines and visual gags, making the journey more about escapism than realism.

With season 4 set to drag more rotting corpses into your homes starting on Friday, we sat down with series co-creator and showrunner Karl Schaefer to discuss how we’re all in on the “Z Nation” joke, the Spokane experience, and why he considers the show do-it-yourself filmmaking.


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TrunkSpace: Prior to “Z Nation” you had a hand in the creation and development of a number of cable shows that sort of got the entire cable world rolling – “Eerie, Indiana,” “The Dead Zone,” and “Eureka,” to name a few. Now that everyone wants to be in cable, does it kind of feel like, “Hey, this is my turf!”
Schaefer: (Laughter) I wish it was my turf. My turf is pretty big at the moment. What is there, 400 something scripted TV shows now?

I’m glad to be working. We’re having a lot of fun up here. We’ve kind of hit that sweet spot where we’re pretty much left alone. We’re just getting to make a crazy zombie show. They give us money to make a crazy zombie show, nobody bothers us, and people like it. I’m gonna hang in here as long as I can. It seems like a pretty sweet place to be.
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The planned screening in Manchester might not be happening, but since I'm here anyway I thought you might enjoy a look at my Meetup Jacket (tm):

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Eerie, Indiana bookstack brooches by HelloCrumpet. Better Weird Than Dead blackboard by Sugar and Vice. Eerie, Indiana/Z Nation crossover by SoozysCraftorim. El Gordo/conjoined piglets pin by DemonicPinfestation. World o' Stuff and POP16661 sign by MattRyanTobin. Eerie, Indiana pin by SuperYakiStuff. Husky brooch by AcrylicAsylum.
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The Eerie, Indiana screening in Manchester is one week away, and I need your help, Eerie fans! What should I wear to this, surely the social event of the year? How shall I accessorize? To blunder here is to spend an eternity mired in sartorial regret,and so I turn to you to narrow down my list of options.

I've divided them into three sections: necklaces, brooches and pins, on the basis that I can wear a bunch of different pins and at least a couple of brooches, but only one necklace.

Before we begin the winnowing, though, lets take a moment to be sad that since this takes place in mid-August, I won't get the chance to show off the awesome doorknob scarf [livejournal.com profile] eviinsanemonkey made me, or the Loyal Order of Corn hat by LizzyLittleFish. To make up for it, here they are being modelled by by a rainbow sheep:

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And now, to the choosing!

Miss Tornado Day and Eerie Trio necklaces by AcrylicAsylum. 3D sculpted anatomical heart necklace by AlternativeJewellery. Eerie, Indiana town limits sign by SoozysCraftorium. Camera, coil of film and blue Eerie, Indiana necklace with pink bat charm by Tatty Devine. Key with blue gem necklace by Eclectic Eccentricity. All the rest by Sugar and Vice.

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Better Weird than Dead brooch by Sugar and Vice. Poodle with bone and "be prepared" penknife by Tatty Devine. Eerie, Indiana bookstacks by HelloCrumpet. Husky by Acrylic Asylum. Eerie, Indiana/Z Nation brooch by SoozysCraftorium. Jackalope and Poe Raven by Erstwilder. Raven with rose and ravens on a branch by CherryLoco. Eerie, Indiana logo and Centre of Weirdness map badges by me.

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World o' Stuff and POP: 16661 pins by MattRyanTobin. Eerie, Indiana pin by Super Yaki Stuff. World o' Stuff button by [livejournal.com profile] diello. Pitbull Surfers button by me. El Gordo pin by DemonicPinfestation.

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It seems that Netflix is trying to tap into the success of The Walking Dead as they continue to expand their original programming catalog. The streaming giant has just placed an eight-episode straight to series order for a zombie apocalypse drama starring Hart of Dixie’s Jaime King titled Black Summer.

According to Deadline, Black Summer will follow King as “a mother, torn from her daughter, who embarks upon a harrowing journey, stopping at nothing to find her. Thrust alongside a small group of American refugees, she must brave a hostile new world and make brutal decisions during the most deadly summer of a zombie apocalypse.” Despite the fact that The Walking Dead takes place in the south, the weather hasn’t ever been an element they’ve focused on and it seems that Black Summer’s narrative will definitely be informed by it in some way.

SyFy’s Z Nation co-executive-producers Karl Schaefer and John Hyams will be helming Black Summer as co-showrunners. Schaefer has previously worked on projects such as Eureka, Ghost Whisperer and Eerie, Indiana and Hyams has directed episodes of Chicago P.D., The Originals, Z Nation, and recently directed the 2018 film All Square.

King is best known for her starring role on The CW’s Hart Of Dixie where she played southern belle Lemon Breeland for four seasons from 2011-2015. Since then she has appeared in movies such as Sin City: A Dame to Kill For, Barely Lethal, The Misletoe Promise, Bitch, and Ocean’s Eight.

Black Summer is the second apocalyptic series about a lost and found mission to be picked up by Netflix this month. Earlier we reported that they had ordered Daybreak to series, which follows a young man named Josh who goes searching for his missing girlfriend, Sam, in a post-apocalyptic California. That series is based on Brian Ralph’s comic of the same name and is expected to hit Netflix sometime next year.

What do you think of Black Summer? Does that sound like the kind of zombie drama you would want to watch? Let us know!
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The union representing actors on SyFy’s “Z Nation” is ordering its members not to work in response to a pay dispute.

Rik Deskin, the president of the SAG-AFTRA Seattle office, posted on the guild’s Facebook page Tuesday morning that all members were not to accept employment or render any services on the show.

Deskin said the show’s producers have failed to pay actors residual payments, which they are contractually obligated to pay whenever the show’s episodes play in reruns or are sold for syndication.

He said guild members have not received residuals for the show’s seasons two and four.

“That’s been going on for some time,” Deskin said.

A representative of Go2 Digital Medial, one of the show’s production companies based in Los Angeles with an office in Spokane, did not immediately return calls seeking comment Tuesday. Another producer, Asylum,, could not be reached for comment.

The zombie action-drama-comedy series that began in 2014 often films in Spokane, featuring local actors.

In September, the show debuted its fourth season. The show was renewed for a fifth season in December.

Last month, a casting call for zombie extras was held in Spokane.

Deskin said production on season five was set to begin Monday with filming in Spokane. He said all actors on the show are SAG-AFTRA members, including the six series regulars.

Until the issues are resolved, he said, it’s unlikely the show can begin production on time.

“I expect that things will be resolved this week,” Deskin said. “I will be very surprised if they don’t resolve things.”
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I have been watching zombie movies nearly all of my life, but only recently have I picked up on some of the popular zombie TV shows around. From my personal experience, I prefer TV shows centred around zombies as opposed to movies. Here’s a few reasons why.

1. More detail can be included

When we consider a TV show based on zombies, Robert Kirkman’s The Walking Dead comes to mind. The Walking Dead is a TV series that follows a group of individuals trying to make life work after a zombie apocalypse.

It differs from classic zombie movies by adding more depth to the characters and plotlines. The show is presented in 60-minute segments which are aired every week. This format allows the show to explore far more depth and substance behind a real-life zombie scenario.

In the time that it has been on air, The Walking Dead has detailed and explored cult phenomena, sexism, racism and sexual infidelity. It is able to do this as each plot point can be introduced, explored and resolved over the course of a number of episodes, which gives The Walking Dead the ability to stay relevant long after the credits have rolled, and spark debates revolving around the main talking points until the next episode either confirms, or denies audience beliefs and conclusions, this happened most notably with both the Negan introduction and the Did Glenn Die episode.

2. Characters can be more than a name

We all know the feeling. We sit through the runtime of a movie, develop a pseudo-bond with a character and the movie ends before we can explore the depth of that particular person. This restriction in character exploration occurs due to limited run-time. TV shows do not suffer the same fate.

Using their extended screen-time, TV shows are able to display, explore and resolve situations and ideas more thoroughly. This is something the CW series iZombie, does very well.

iZombie follows a medical examiner by the name of Olivia ‘Liv’ Moore as she contracts a zombie virus and is forced to live her life as a zombie. iZombie presents the main character as a member of the undead, rather than the seen/unseen hostile presence. It also explores the idea of the personality surviving after the body has stopped functioning, as when Liv eats the brain of a deceased person she displays the most prominent part of their personality, which allows her to aid in the solving of murders.

The show runs for 45 minutes a time and allows Liv, who is played by Australian actress Rose McIver, to showcase different personalities and flesh out multiple characters in a given series. The show may follow Liv and her crime-fighting Breakfast Club team for the most part, however each series also has a central theme which tells a larger story.

The narrative throughout changes and evolves from a terrible dime-store comic book tale to one of a blockbuster series or best-selling graphic novel. I believe that if iZombie was limited to a 120-minute runtime, it would not be as appealing to its audience.

3. You can flip stereotypes and challenge preconceptions

The image of zombies is that of a decomposing shambling corpse, dragging itself around on broken limbs and crying out for that tasty, squishy grey matter. This idea is largely based on the work of godfathers of the genre, Lucio Fulci and George A. Romero.

While also being a purveyor of such stereotypes, George A. Romero also showed his ability to develop and change the zombie image with ‘Bub’ from Day of The Dead (the original one) and with Big Daddy from Land of The Dead.

He did this by showing that both had the capacity for empathy and ability to relearn how to function in society. This was parodied in Shaun Of the Dead with the now classic scene of zombies being trolley-takers in supermarkets.

Imagine a movie which centred around Bub exclusively and detailed his long journey from military personnel, to mindless zombie, to rehabilitated corpse. There is a great deal not known about Bub and a TV show would be the perfect place to explore his personal life before, during and after the events of Day of The Dead (not the Mena Suvari one, sorry Mena). I wager it would be quite fantastic.

4. Zombies don’t have to mean end of the world

When we envisage a zombie scenario, it is usually litter with burning cars, screaming people and dead bodies but what about if a zombie story wasn’t the end-of-the-world scenario that we know it to be. How could we explore that idea? Perhaps with a show like Santa Clarita Diet.

Santa Clarita Diet is a Netflix original series starring Timothy Olyphant and Drew Barrymore as a married couple whose lives are turned upside down when one of them becomes a walking, talking and functioning zombie whose only hope of not going ‘full Romero’ is to eat the brains of the living, it explores the personality quandary and posits the idea that once we die and come back, our personality is changed drastically.

This idea is an interesting one, not only because of the potential for comedy and entertainment – and it is funny – but also that many studies and real-world observations have shown drastic personality changes in those who have survived a near-death experience or have actually ‘died’ and returned to life.

Whether this is due to the innate idea of an epiphany or actual brain chemistry changes is open entirely to your interpretation. But one thing is for sure it makes for a fantastic show which is allowed to be kooky and odd in a way that movies just aren’t. Allowing it the freedom of a TV series enables it to be a self-referential presentation and comedic social commentary and gives it the ability to be enjoyed without any real commitment to viewing.

5. Zombies also don’t have to mean serious

Stories don’t need to be serious or mature in their themes in order to convey a message or moral: we need only take a look at Dr Seuss to be assured of that. This is something which is often lost on movies as any zombie movie which attempts to be humorous and juvenile while also projecting a mature cautionary tale is usually relegated to the bargain bin of your local supermarket. We generally only see this happen to movies as there is far more commitment to plot and experience when watching a movie as opposed to casually watching a show like Z Nation.

Z Nation is a SyFy original series following a group of survivors of a zombie outbreak. They travel around, kill, steal and help wherever they can, so far so Walking Dead right? However, Z Nation pulls away from The Walking Dead formula by relying heavily on the more camp weirder elements of zombie movies – think Return of The Living Dead.

The characters in Z Nation are a role-reversal of standard zombie movie tropes with females actually being the centre of the majority of the action. The show offers a number of different zombie types, survivors and various wacky situations – Citizen Z may be one of my favourite all-time characters.

If a movie had the same outlook on zombies as Z Nation it would undoubtedly be a flop at the box office, but in a world that brought us Starz horror series Ash VS Evil Dead and British TV presenter Keith Lemon recreating classic movies on a shoestring budget, really anything can happen.
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Who's seen this week's episode of Z Nation yet?!

Anybody want to discuss That Scene?
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[personal profile] deifire
Forgot to link this here earlier:

Z Nation AMA with Z Nation co-creator Craig Engler on Reddit...where we get to learn, among other things, who was responsible for the giant wheel of cheese.
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SPOKANE, Wash. — Washington state recently passed a 10 year extension for film tax incentives, granting films and TV shows created within state borders financial help under certain circumstances.

TV shows like Z Nation. The zombie apocalypse's cast and crew once again have taken over Spokane.

Z Nation is just one of the many parts of Washington state’s film industry. The industry is said to bring millions of dollars to the state each year, create jobs and give an economic boost to local businesses.

The recent legislation extended the Motion Picture Competitiveness Program until 2027 and has allowed the industry to continue to grow.

Z Nation creators, cast and crew are in town shooting season four of the hit Syfy channel show. Show creators said they are here for a concise list of reasons.

“We came for the incentive and stayed for the location and the crew,” Executive Producer Karl Schaefer said.

Schaefer is the man behind all the TV magic for Z Nation. He said there is no way the show would be able to film in the Evergreen State without help from the state legislature.

The state's ten year extension for film tax incentives grants film and TV producers financial help from the state if they shoot in Washington and employ its residents.

So, Z Nation creators set out to employ Washington residents. One of them is local state representative from District 3, Marcus Riccelli.

“I'm taking this real seriously. I mean this is a fun opportunity but also I don't want to look like the only person who doesn't know what they’re doing,” Riccelli said.

Riccelli was one of the sponsors of the bill pushing for film tax incentives.

“This means jobs and economic development,” the State representative said.

Producers of the zombie show agree, the state of Washington has a lot to offer in creating their TV show.

“You can play anywhere. It can be urban, it can be rural, it can be industrial,” Jody Binstock, Z Nation Co-Producer, said.

Several places around Spokane have served as the backdrop to Z Nation landscapes. However, filmmakers said it is not just the diverse landscapes that are inviting, it is also the people.

"Part of what makes the show so funny and weird are the people making it funny and weird," Schaefer said.

There are around 90 cast and crew regularly working on Z Nation and a majority of them are from the state of Washington.

"It allows people to be employed for a very very long time, and it not only affects them, it affects their kids, their parents, and their grocery, and their mechanic and the spider web goes very very long,” Binstock said.

In the end it's really about giving people the opportunity to work. Two of the shows characters, Sleezy and Sketchy, are played by actors Doug Dawson and Mark Carr. Dawson is from Spokane and Carr is from Seattle.

"It's great. I am actually from Spokane so when our episode rolls around each season I'm working right from home, I'm staying in my own bed getting professional work so it's fantastic,” Dawson said.

"You know the film incentive is a massive boost for the economy around here and for people who like us who have sort devoted our lives to this art form,” Carr said.

The massive economy boost will continue as filming for season four of Z Nation is set to wrap up at the end of September.
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EXCLUSIVE: As we await Season Four of Z Nation to begin, I was lucky enough to be granted an interview with co-creator Karl Schaefer.

“It’s a man eat man world!”

Z Nation first aired Sept 12, 2014. It began as a low-budget series, with big dreams. Filmed in Spokane, Washington, they have a multifaceted arena to use. From mountains to woods to cityscapes, they are able to make us believe the characters are traveling across America. The show has taken fans by storm with a unique view of what a zombie apocalypse would look like, and kept us laughing along the way.

With Season 4 arriving next month, Z Nation co-creator Karl Schaefer paid a visit to 1428 Elm to talk with me about the Syfy series. You can read the entire exclusive interview below!

What was your inspiration for creating a zombie show with the humorous twist?

My inspiration for everything I write is real life. Real life mixes tragedy with humor, and some of the funniest things that happen occur in very dark times. We also determined from the beginning that humor was a necessary survival skill, and that people with no sense of humor would just curl up and die in the zombie apocalypse.

When you first decided to create Z Nation, did it start with Murphy’s character and build around him?

Z Nation began as a group of survivors going to California to find a vaccine. In writing the pilot, I decided to turn the “vaccine” into a human being who had the antibodies they needed for a vaccine. This made the characters’ mission important to the whole planet, not just themselves.

Had you planned from the start on creating new and unique zombie hybrids?

Yes. We wanted to be the anti-Walking Dead. They have the same slow zombies they had from the beginning. We wanted to mutate our zombies to keep the threat ever evolving. Where The Walking Dead is all about DREAD – you know something bad is coming and you wait three episodes for it to happen. We’re all about the unknown and surprise, we wanted the audience to not know what was around every corner.

As a co-creator of the show, did you have a preconceived overview of each season and then leave it to other writers to bring them to life? Or do you give them specifics that must happen for each episode?

Before starting the show, I had a basic outline of where the first five seasons went, and what a possible finale might be. Each season when the writers get together I lay out a basic plan for the season, then all together as a group we break up each story and outline it in detail as a group. Then an individual writer goes off to do the first few drafts, then I rewrite the script to fit our locations and the casting in Spokane.

Did you envision going into the show that Z Nation would be the hit it is today?

Nobody expected us to be a hit. We’re the little show that could. We get higher ratings than shows with 10 times our budget.

I read that you have a five-year story arc and with its popularity has that changed along the way?

The show becomes its own thing that grows organically as all the different people, actors, crew, writers, and audience, add their own ideas and talent. I just try to keep it all going in the same direction, while being open to letting the show go where IT wants to go.

Have there been any thoughts of a spin-off show when Znation does come to an end?

Yes. We may do a spinoff about Black Summer.

All the fans are anxiously awaiting season 4 to start, can you give us any tidbits of what to expect?

It’s a season filled with mysteries. The heroes have a new mission, driven forward by a prophetic dream Warren has about the end of the world. The zombie virus has mutated again, and now zombies are nearly unkillable. They no longer die when you kill the brain, you have to completely destroy them. Plus we get to see more of Zona this season.

Thank you, Karl, for taking a moment out of your busy schedule to answer these questions for the fans. We are all looking forward to more zombie fun.

Thanks Theresa. Anytime.
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[personal profile] froodle
We’re rewatching Z Nation on Netflix, and today we’re looking back at when the show hits a new high in episode 112 “Murphy’s Law”.

The “Operation Bite Mark” gang comes across a Country Club, filled with “middle-class” zombies. After trapping themselves inside the clubhouse, things get a bit dicey. They are quickly aided by a few new strangers, that once again are too nice to be true.

Zombie golf, anyone?

Meanwhile, Murphy (Keith Allan), who can walk amongst the zombies, practices his golf swing. This leaves the newbies to question why he can do this, and they develop a scam of their own.

Murphy’s big mouth gets himself kidnapped by the new gang, however, he devises a plan to leave a “trail of crumbs.” With the help of a random spy cam, he leaves clues for Citizen Z to lead his friends back to him.

It so happens that the kidnappers want Murphy to waltz into a horde of crazed zombies, at an untapped drug lab, so they can load up on OxyContin. Upon arrival at Mesa Pharmaceuticals, they find the zombies tearing about and it’s clear that they have consumed different drugs, from speed to Viagra! Plus, Murphy discovers that he has some more tricks in his blood stream. He’s evolving into something else.

Aided by Citizen Z, and an errant road sign, of course the gang find Murphy and help him to escape the trouble he’s in. They also get a first-hand look at his new power.

They then use a radio in the office to talk with Citizen Z. He informs them that he discovered that Dr. Merch (Lisa Coronado), whom they need to see in California, may not have made it all the way there herself. So, he redirects them Fort Collins Colorado for the next and final episode of season one.
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Skeezy’s Brown Ale, 5 Rights Brewing, Marysville

Style: Brown ale

Stats: 5.8 percent ABV, 30 IBU

Available: On tap at the brewery, NYP Everett, Emory’s on Silver Lake and Creekside Alehouse and Grill.

My thoughts: Church and zombies rarely go together, but for 5 Rights owner and head brewer R.J. Whitlow they do — and the combination inspired a new beer series.

Whitlow, who was the media director for Northshore Christian Church for 16 years, met Dan Merchant while the producer visited the Everett church to promote his film, “Lord, Save Us From Your Followers” in 2008. When Merchant debuted his next project, “Z Nation,” a post-apocalyptic zombie show on Syfy a few years ago, Whitlow and his wife, Kristi, couldn’t help but dive in.

“It’s a total guilty pleasure and very bingeable,” Whitlow said. “It has no gravity on our life, so we can just sit back and enjoy.”

The show is shot in Spokane and has a number of memorable characters, including Murphy, the only known survivor of the zombie infection. Because of the local connection and his friendship with Merchant, Whitlow reached out to the show’s creator to see if it would be possible to brew some beers in tribute to the show.

“I was worried about rights and all of that and Dan was like, ‘Oh, I own all of it. Go for it,’” Whitlow said.

Skeezy is named after one of two low-life grifters on the show, Skeezy and Sketchy, who travel around the zombie wasteland getting into mischief and stealing money to build a wall. (Sound familiar?)

The ale named after Skeezy is a nicely balanced American-style brown. Hopped with Centennial, Willamette and Cascade hops, the brown ale has a solid malt backbone like any good brown, but the hops give it an assertive if measured hop character that complements the malt well. The beer is a drinkable 5.8 percent and isn’t too sweet like many brown ales.

The brown is the second in the Z Nation Tribute Series, which kicked off with the Z Wacker IPA, named in honor of the spikey baseball-bat-like weapon popular in the show. Z Wacker is an IPA made with Citra, Simcoe and Centennial hops. The late addition of hops and some dry-hopping gives the beer a big tropical nose and a dry finish. It’s on tap at the brewery and NYP Everett.

When he finally brings his 10-barrel brewhouse online later this spring, Whitlow plans to brew more beers in the series, including a Citizen Z Pale Ale made with HBC 431 hops, a saison, Belgian dark strong and a not-so-Irish red ale named after the star of the show, Murphy.

He’s hoping one day to even parlay it into a bit part as a zombie entree.

“Kristi and I would love to be extras on the show,” Whitlow said.

Season 4 of Z Nation is scheduled to premiere on Syfy in the fall of 2017.

From the brewery: The second in our series of tribute beers to our favorite zombie apocalypse show, “Z Nation” gives a shout-out to one of our favorite post-apocalyptic shysters and all around patriotic and fun-loving characters. Like our friend Skeezy, this American brown ale is not quite as advertised, bringing a bold and assertive hoppy edge to a typically malty, rich and somewhat sweet character of this chocolate malt forward style. Our generous use of Centennial and Cascade hops will help make America America again.
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[personal profile] froodle
Check out the names of some of these scientists, guys. We might see Justin Shenkarow's character Iggy again. Steve didn't get eaten by dogs, and apparently they sent him top a fairly high-end medical school. Harold is probably one of Marshal's New Jersey cousins.

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