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Welcome back to the Eerie, Indiana 2021 rewatch. This Friday, give your dog the side-eye and pray that doorknobs will be enough to save us. Ladies and gentlemen, keep the Canine Arrest Team on speed-dial, because it's time to watch... The Retainer!
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Doctor Eukanuba took a seat beside the huge reclining dentist chair, a thin manilla folder containing a neat stack of x-rays tucked under one arm.

"Well, Mister Teller," he said, opening the folder and arranging the top two pictures side by side. "This is all looking very promising."

He beamed down at his prone patient, and the bright halogen light above and behind him illuminated only his smile.

"I'd like to schedule your three-month check-ups for shortly after the full moon," he said. "So we can make any adjustments to your retainer and ensure that both sets of teeth are growing as they should."

"Both sets?" asked Marilyn. "He's already lost most of his milk teeth."

"Yes," said the dentist. "I'm talking about his adult teeth and-" he glanced at Marshall, pleading silently around a mouthful of cotton gauze and quickly corrected himself, "...his wisdom teeth, of course. It's very important to catch any problems early, with molars that big."

"Oh," said Marilyn. "His wisdom teeth. Yes. Obviously."

"In fact," said Doctor Eukanuba, "Perhaps you could see my assistant about arranging the quarterly cleaning, while Marshall and I finish up here?"

Marilyn looked to Marshall, who nodded.

"I'll be right outside, honey," she said, patting his arm as she got up to leave.

"We won't be long," Doctor Eukanuba assured her.

As soon as the heavy fireproof door had swung shut behind her, Marshall sat up, already unpacking the gauze from inside his cheek and spitting out a mouthful of pinkish water.

"What," he hissed, voice only slightly slurred from the anaesthetic, "Second set?"

"Your... well, let's call them your supernumerary canines," said the dentist, turning one of the x-rays so that Marshall could get a better look. Sure enough, the image of twenty-eight square, blunt, human teeth was marred by a series of knife-edged shadows, right where Marshall expected the gum line to be.

"You can see that?" Marshall whispered, horrified.

"Mister Teller," Doctor Eukanuba said soothingly, "I may be the only dentist in town, but rest assured that you are not the only werewolf."

He twisted the x-ray back to face him, examining the jagged white shapes with interest.

"I assume you were infected fairly recently," he said. "Which is good, since I imagine a full transformation while wearing braces would be extremely painful."

He closed the folder, then looked back at Marshall, his expression becoming grave.

"I cannot stress this enough, young man," he said. "You must remove your retainer during a full moon, and you absolutely must not put it back in until it begins to wane."

"Why?" asked Marshall, instantly suspicious. "Did you sneak some silver in there or something?"

"No," said Doctor Eukanuba, seemingly surprised that he would even be asked. "It's because holding your teeth in place while you jaw changes shape is going to hurt, damage the retainer, and possibly cause your regular teeth to grow crooked."

"Oh," said Marshall.

"Not to worry," said the dentist, tossing the file onto his desk and reaching for the glass jar of lollipops. "As I say, you're not my first lycanthrope, and my other patients all have strong, healthy bites during their furrier times of the month."

He held out the bright coloured candies, but Marshall shook his head.

"Ah," said the dentist. "Perhaps you'd prefer a chew stick instead. I find chicken is the most popular flavour, though I also have beef and lamb if you prefer."

He returned the lollipops to their previous position and retrieved a foil packet decorated with a smiling cartoon dog.

"Take a handful," he suggested. "For the road."

Ongoing Verse: CAT

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Ongoing Verse: WereMarsicorn

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Doctor Eukenuba sat up, pushing the huge overhanging light fixture out of Marshall's eye line as he did so.

"Well, Mister Teller," he said. "Everything looks to be coming along nicely."

He set aside the tiny mirror and wickedly-gleaming tongue scraper and removed his white latex gloves, depositing them carefully in a medical waste bin that looked like a repurposed ForeverWare dish.

"You should floss after every full moon," he continued, rummaging in his desk drawer until he located a small glass jar full of brownish sticks, which he held out. "And please, try these rather than snacking on squirrels."

Ongoing Verse: WereMarsicorn

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Welcome back to the Eerie, Indiana 2020 rewatch. This Tuesday, give your dog the side-eye and pray that doorknobs will be enough to save us. Ladies and gentlemen, keep the Canine Arrest Team on speed-dial, because it's time to watch... The Retainer!
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Welcome back to the Eerie, Indiana 2020 rewatch. This Friday, give your dog the side-eye and pray that doorknobs will be enough to save us. Ladies and gentlemen, keep the Canine Arrest Team on speed-dial, because it's time to watch... The Retainer!
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It's Tuesday, so today you get a choice between two prompts. Pick one, combine both, pit them against each other - on Tuesday, you choose!

This week, your options are:

Doctor Eukanuba versus Professor Nigel Zircon
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The Happy Brothers Mortuary company car was all-white, with a red cross decal on the rear window, smooth, gently rounded lines, and a set of bubble lights that marked it for exactly what it was - an ambulance from the 1950s, repurposed for the transport of corpses.

They'd found it inside a car-sized ForeverWare container at the back of an overcrowded storage container rented in their mother's name. The old-fashioned medical equipment inside had gone straight to Noel's Knick-Knack-Bric-a-Brac Emporium, but when some of it showed up in Doctor Eukenuba's exam room, the twins had decided against selling on the rest.


Ongoing Verse: The Children

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Ongoing Verse: The Powers That Be

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The bottle of Doctor Eukanuba's All-Purpose Breath-Freshening Plaque-Killening Anti-Bacterial Mouthwash (eucalyptus flavour, as if that was something anyone other than a koala would have ever asked for) stood on the edge of the bathroom sink, next to the hot tap, under the cabinet with the mirrored doors.

This was where it always stood, being too tall for the cabinet itself and too frequently-used to be relegated to the storage cupboard outside the bathroom, where pungent gift sets received in office Secret Santas languished in the dark behind the extra towels and the spare packet of toilet roll.

The label on the bottle was a drawing of the eponymous, and ominously-smiling, Doctor Eukanuba. In the picture he was leaning over a terrified patient who Marshall suspected was a slightly mean-spirited depiction of Steve Konkalewski. The legend "now floss!", in bold and bloody all-caps, was written beneath it.

Today that familiar image was almost obscured by overlapping layer of skull and crossbones stickers, plastered on so thickly that only the faint green glow of the liquid within let Marshall know that this was, in fact, his dental-association-approved mouthwash.

Poison or ghost-pirates, he thought. Either way, he'd need to buy a new bottle.

Ongoing Verse: Microwave

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Ongoing Verse: The Children

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The thing that lived in the bathroom mirror had learned some new tricks.

Marshall looked at his reflection, and his reflection met his eyes half a second too late. Then it smiled, slow and full of menace, revealing a mouthful of needle-sharp teeth set in rotting gums that would have had Doctor Eukenuba performing experimental surgery faster than you could say "eaten by dogs". A moment later the dental nightmare was gone, replaced by Marshall's half-impressed expression.

"Not bad," he told the thing temporarily wearing his face. "Unsettling, but subtle enough that I could have imagined it."

His reflection beamed.

Ongoing Verse: Microwave

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Guys, look what just arrived!

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I feel a bit bad about opening it, since it's been kept mint in packet since 1997, but I am dying to see the artwork in this thing!

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And you can hear the accompanying audio cassette here.
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Welcome back to the Eerie, Indiana 2019 rewatch. This Sunday, give your dog the side-eye and pray that doorknobs will be enough to save us. Ladies and gentlemen, keep the Canine Arrest Team on speed-dial, because it's time to watch... The Retainer!
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i went to the dentist today and my dentist honest to god said “can i ask you a question…….what the hell is in your mouth”

then the hygienist and assistant all came over to look too and they were like “wooooow”

okay so to preface this, my hometown where i’m originally from is a really fucking weird place. like from the outside it seems like a normal suburban town, but once you’re there for awhile you get the feeling that’s something’s not…quite all together. a lot of people are really fucking weird there — so much so that that was a running joke in school growing up, that people in the town were just like that. everyone knew not to go out to the farm lands surrounding the town especially at night, we called it “the cuts” and people used to disappear out there all the time or get shot at by the especially weird people that would live out there. the news was and still is truly a thing of horror. every time i come back i’m regaled with even more stories of crazy shit that has happened there.

to put it in perspective we generally never had “normal crime” like robbery or anything like that when i lived there, though that did happen sometimes. the news stories were always like, “a kid was kidnapped by local residents and tortured in a house around the corner,” “a random person was chased down and shot for sport in a really nice neighborhood,” “someone was gored to death by a bull while out car shopping,” etc. (these are all real, btw). everyone does drugs and the whole town is located really close to a government site where they test nuclear weapons and chemicals and shit. this is how i grew up, in this bizarre environment.

i need to preface it this way so that you get that it’s weird. it’s a fucking weird place. i used to listen to the welcome to night vale podcast and make comparisons from it to my hometown, that’s how weird it is.

i only say this so you know that this town is where i got my orthodontics from.

all the kids in my town went to this one particular orthodontist. i also used to go to a dentist in town that a lot of people went to as well. i had a permanent retainer put on my bottom teeth after braces and no one had ever said anything to me about the model of retainer itself or it being weird type of retainer at all. i saw a ton of other people (mostly other kids that were my age at the time) that had the same type of retainer as me too so i never thought about it.

so i kept my retainer in — it’s never caused me problems and it keeps my teeth straight, why not?

however i went to a dentist for the first time in a metropolitan area now, and when he saw it in my mouth his literal first reaction was to say “uh can i ask you a question….what the hell is that”

LITERALLY the words that he said

which in hindsight makes almost too much sense. of course my town of all towns would put these weird unnecessary contraptions in kids’ mouths, and of course it happened so much that everyone just thought it was normal. that sounds exactly, to a T, like my hometown.

my permanent bottom retainer is apparently this prototype that is so rare that he’s literally never seen it before in his life, not in dental school, nowhere. it’s not that it’s an outdated type, it’s just rare as fuck. they were still staring at pictures of it on my chart in wonder when i left the office.

so just know somewhere out there, in a weird ass suburban town where they test nuclear weapons and a good portion of the residents go fucking nuts, there’s probably hundreds of people still walking around with this same contraption in their mouth that exists nowhere else in the world thinking, “yeah, that’s cool. that makes sense. let me go drink the definitely not-contaminated water now and never move away from here.”

This sounds like an X-files episode

It sounds like that 90s show, Eerie Indiana
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Welcome back to the Eerie, Indiana 2018 rewatch. This Friday, give your dog the side-eye and pray that doorknobs will be enough to save us. Ladies and gentlemen, keep the Canine Arrest Team on speed-dial, because it's time to watch... The Retainer!
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The Eerie, Indiana screening in Manchester is one week away, and I need your help, Eerie fans! What should I wear to this, surely the social event of the year? How shall I accessorize? To blunder here is to spend an eternity mired in sartorial regret,and so I turn to you to narrow down my list of options.

I've divided them into three sections: necklaces, brooches and pins, on the basis that I can wear a bunch of different pins and at least a couple of brooches, but only one necklace.

Before we begin the winnowing, though, lets take a moment to be sad that since this takes place in mid-August, I won't get the chance to show off the awesome doorknob scarf [livejournal.com profile] eviinsanemonkey made me, or the Loyal Order of Corn hat by LizzyLittleFish. To make up for it, here they are being modelled by by a rainbow sheep:

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And now, to the choosing!

Miss Tornado Day and Eerie Trio necklaces by AcrylicAsylum. 3D sculpted anatomical heart necklace by AlternativeJewellery. Eerie, Indiana town limits sign by SoozysCraftorium. Camera, coil of film and blue Eerie, Indiana necklace with pink bat charm by Tatty Devine. Key with blue gem necklace by Eclectic Eccentricity. All the rest by Sugar and Vice.

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Better Weird than Dead brooch by Sugar and Vice. Poodle with bone and "be prepared" penknife by Tatty Devine. Eerie, Indiana bookstacks by HelloCrumpet. Husky by Acrylic Asylum. Eerie, Indiana/Z Nation brooch by SoozysCraftorium. Jackalope and Poe Raven by Erstwilder. Raven with rose and ravens on a branch by CherryLoco. Eerie, Indiana logo and Centre of Weirdness map badges by me.

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World o' Stuff and POP: 16661 pins by MattRyanTobin. Eerie, Indiana pin by Super Yaki Stuff. World o' Stuff button by [livejournal.com profile] diello. Pitbull Surfers button by me. El Gordo pin by DemonicPinfestation.

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Here’s some more episodes of Eerie Indiana.

In The Retainer, Marshall is trepidatious about visiting the dentist. Not suprising when his dentist is Vincent Schiavelli.


His friend Steve has a massive retainer that lets him talk to dogs.

They learn of a conspiracy among the town’s dogs.

The next episode is The ATM with the Heart of Gold. Marshall’s dad has created a friendly computerised teller, slightly reminiscent of Max Headroom.

Gregory Itzin plays the town mayor. He really is the go-to actor for untrustworthy elected officials, isn’t he?

Marshall’s friend Simon starts getting money from the ATM, because he’s nice to Mr Wilson.

In the next episode, The Losers, Marshall’s dad loses an important presentation. The search leads to some strange places, and an appearance by Joe Dante regular Dick Miller. Not surprising, since this episode is directed by Joe Dante.

Another Dante regular is Henry Gibson, who works in the Bureau of Lost.

Next, it’s America’s Scariest Home Video. It’s Halloween, which can’t be good in Eerie. Marshall’s younger brother is stuck in the TV, and the Mummy has got out, only it’s the actor who played the Mummy years ago.

Next it’s Just Say No Fun.

I’ve just noticed their school is BF Skinner High School – named after the behaviourist who invented the theory of operant conditioning, and the Skinner Box, an experiment where doves were trained to collect food from a dispenser. The dispenser would randomly deliver seed in response to buttons the doves would peck, but it was always random. However, the doves would develop momre and more complex, repeated behaviours in the apparent belief that what they were doing was key to the seeds being given.

Simon is given new glasses, and suddenly he’s boring and just wants to do schoolwork.

There’s a tiny bit of the end credits of Mork and Mindy before the next episode.

Then, an episode Heart on a Chain. A new girl, Melanie, joins Marshall’s class. She has a life-threatening heart problem, and is waiting for a transplant. And all the boys in class fall in love with her. She’s played bu Danielle Harris, possibly familiar to you as Bruce Willis’ daughter in The Last Boy Scout.

Marshall gets love advice from Elvis, who lives on his paper route.

It has a sad ending.

This is the last episode here. After this, recording continues with the start of Channel 4 News. The conflict between Bosnia and Serbia is the top story. I think their spell checking fell down slightly here.
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When Eerie, Indiana debuted on American television in September 1991, it was well-received by critics who favorably compared it to Twin Peaks, albeit for kids. However, I always felt that a better analogy for this clever, short-lived show was that it was actually Friday the 13th: The Series for kids. Like the protagonists in that supernatural-themed program, the main characters in Eerie – two young boys – investigated bizarre happenings and collected artifacts from their adventures. The latter was much more light-hearted in tone than Friday the 13th, but still had a creepy undertone reminiscent of episodes of the classic era of The Twilight Zone.

Eerie, Indiana was the brainchild of Jose Rivera and Karl Schaefer, both relatively inexperienced in the realm of T.V. at the time (Rivera had done a handful of episodes for various sitcoms, while Schaefer had even less experience) but they capitalized on the flood gates of weirdness that Twin Peaks broke open during its brief tenure to push through a quirky show reminiscent of The Hardy Boys/Nancy Drew Mysteries but if written by Stephen King. However, the look and feel of the show is indebted to filmmaker Joe Dante who not only directed the first episode (and four others) but also acted as creative consultant for the series. It is easy to see what drew him to the project as the suburban setting, with child protagonists encountering fantastical events, are all hallmarks of his career.

Dante really sets the overall look and tone for the series with the first episode, entitled “Forever Ware” (a sly nod to the classic science fiction novel The Forever War by Joe Haldeman perhaps?). Marshall Teller (Omri Katz) is a 13-year-old boy whose parents have moved from New Jersey, “just across the river from New York City,” where he loved that it was “crowded, polluted and full of crime,” to the wholesome, squeaky clean suburbs of Eerie, Indiana. Sure, it looks like a cross between the all-American Lumberton in David Lynch’s Blue Velvet (1986) and the cookie cutter neighborhood in Edward Scissorhands (1990), but Marshall isn’t fooled. He can see past the façade and realizes that the town is in fact the “center of weirdness for the entire planet,” where the local mailman is packing a firearm, a lady hangs her laundry to dry which includes a strait-jacket, and a graying Elvis Presley emerges from his home to pick up the daily newspaper. And in a nice Lynchian touch, a crow can be seen perched on the town sign with an eyeball in its mouth. And this is all conveyed in the prologue!

Marshall’s family is introduced to the neighborhood by Betty Wilson, an AVON lady/Stepford Wife hybrid with two sons (Bert and Ernie – har, har) that peddle ultra-efficient Tupperware called Forever Ware. Betty’s eager to not just sell Marshall’s mother (Mary-Margaret Humes) some of her containers but invite her to become part of a small circle of friends. However, when one Betty’s sons slips Marshall a cryptic note, he decides to investigate with the help of his next-door neighbor Simon (Justin Shenkarow). They soon uncover a rather sinister plot that won’t make you look at vacuum-sealed plastic containers the same way again. Of note is Dante’s trademark mix of horror and humor through the eyes of young kids.

Part of what makes Eerie, Indiana work so well is how it takes things that kids deal with while growing up and give them a slightly sinister, supernatural spin, like going through the ordeal of getting braces in “The Retainer,” which sees a hapless kid beset by a prototypical retainer created by an orthodontist cum mad scientist (played with relish by Vincent Schiavelli) that allows the wearer to hear what dogs are thinking and it ain’t pretty. Marshall and Simon uncover a canine revolution where dogs demand, “Down with Kibble!” and “No more Stupid Pet Tricks!” and “No more neutering!” The only thing that appears to be stopping them is “the mystery of the doorknob,” as one dog puts it. While these scenes are played for laughs because of the sheer absurdity of the concept, it does remind one of how poorly dogs (and animals in general) are treated in pounds/shelters and are regarded in our society.

“ATM With a Heart of Gold” places more of an emphasis on Simon as he befriends an intelligent ATM machine that Marshall’s father (Francis Guinan) invented. The machine’s interface features a computer avatar that’s a cross between Max Headroom and a Ken doll known as Mr. Wilson. Simon is just a kid who wants to belong and have friends because his home life is so crappy. In one scene, we see him walk towards a drab, earth-toned colored house where we can hear his parents arguing and fighting within. No wonder he wants to hang out with Marshall and investigate flights of fancy. Shenkarow does a nice job of conveying the longing Simon has for friends and how this leads him to befriending Mr. Wilson. This also blinds him to the machine’s creepy malfunctions. Pretty soon Simon learns that you can’t buy friendship and that money won’t solve all your problems.

Robert Altman regular Henry Gibson and Dante regular Dick Miller make an appearance in the Dante-directed episode, “The Losers,” and seem to be having a blast playing men responsible for all the recently disappearing items in Eerie. There are some nice visual gags in this one as we get a look at a few rather famous missing items found in their lair, chief among them a pod from Invasion of the Body Snatchers (1956) and the sled from Citizen Kane (1941). This is definitely a more playful, whimsical episode and it is great to see veteran character actors like Gibson and Miller playing such pivotal roles.

I always enjoy Halloween-themed episodes of T.V. shows and Eerie, Indiana does not disappoint with “America’s Scariest Home Video,” which pays homage to the Boris Karloff 1932 horror film The Mummy as Marshall and Simon are stuck babysitting Simon’s little brother only to have the mischievous tyke transport himself into a horror film on T.V. and the Mummy in the film appearing in the house. The fog-enshrouded night and decrepit monster always make me think of John Carpenter’s The Fog (1980) minus the scary pirates from beyond.

In 1990, co-creator Jose Rivera was working on an idea for a horror anthology show set in a high school that would have been a teenage version of The Twilight Zone. Meanwhile, co-creator Karl Schaefer had an idea for a modern-day Tom Sawyer story. An agent got the two men together and they merged their ideas to create Eerie, Indiana. Schaefer described the show as “a twisted, modern fairy tale.” Rivera grew up loving fairy tales and wanted to impart notions of magic realism into suburbia, “that beneath the veneer of malls and crossing guards there lurks a deeper reality of something just slightly off-centre.”

He and Rivera picked Indiana because it had the image of “being a benign, harmless place to live.” They also asked Joe Dante to direct the pilot episode and with him convinced the executives at NBC to air the show. Schaefer said that the network liked the central character Marshall but they had to be convinced that the concept of the show would work because it was so different from NBC’s usual fare. In retrospect, Dante considered Eerie, Indiana a dream project because he was there at its inception and was then asked to stay on as a creative consultant. As a result, he even had a hand in casting Omri Katz. The producers originally wanted “this geeky kid,” according to Dante, but he felt Katz was more authentic and the young actor was cast. Dante was obviously taken with Katz as he subsequently cast him in his next film, Matinee (1993).

Eerie, Indiana was well-received by critics when it first debuted on television. Entertainment Weekly gave it a "B" rating and Ken Tucker wrote, "You watch Eerie for the small-screen spectacle of it all — to see the way, in the show's first few weeks, feature-film directors like Joe Dante (Gremlins) and Tim Hunter (River’s Edge) oversaw episodes that summoned up an atmosphere of absurdist suburban dread. The Hollywood Reporter’s Miles Beller wrote, "Scripted by Karl Schaefer and Jose Rivera with smart, sharp insights; slyly directed by feature film helmsman Joe Dante; and given edgy life by the show's winning cast, Eerie, Indiana shapes up as one of the fall season's standouts, a newcomer that has the fresh, bracing look of Edward Scissorhands and scores as a clever, wry presentation well worth watching." USA Today described the show as "Stephen King by way of The Simpsons," and Matt Roush wrote, "Eerie recalls Edward Scissorhands and even – heaven help it – David Lynch in its garish nightmare-comedy depiction of the lurid and silly horrors that lurk beneath suburban conformity." Finally, the Washington Times’ David Klinghoffer wrote, "Everything about the pilot exceeds the normal minimal expectations of TV. Mr. Dante directs as if he were making a movie, and a good one. In a departure from usual TV operating procedures, he sometimes actually has more than one thing going on on screen at the same time!"

After Eerie, Indiana’s demise, co-creator Karl Schaefer stayed in the genre, writing and producing T.V. shows routed in fantasy and horror, like Stephen King’s Dead Zone, Eureka and The Ghost Whisperer. Jose Rivera also continued to dabble in the supernatural, writing episodes for Goosebumps, Night Visions and Shadow Realm before moving on much acclaim with his screenplay for The Motorcycle Diaries (2004) and adapting Jack Kerouac’s novel On the Road for the big screen. Omri Katz worked again with Dante in Matinee and starred in the fun family film about witches, Hocus Pocus (1993) before going back to T.V. with the short-lived but critically-acclaimed, The John Larroquette Show. Aside from a couple of one-off guest spots here and there, he’s largely dropped out of the business, which is a shame. Since Eerie, Justin Shenkarow has worked steadily in T.V. and movies, most notable a regular on the show Picket Fences while also doing a lot of voice work. Joe Dante has found it increasingly harder to get his kind of films made and has also gone back to T.V., directing two episodes apiece for the horror anthology shows Night Visions and Masters of Horror. He has made a new film called The Hole (2009), which is still without a North American distributor (?!).

Eerie, Indiana takes the trials and tribulations of a teenage boy, like his first crush on a girl, and gives them a supernatural spin – said girl gets a heart transplant from another boy that liked her and begins acting like him. The otherworldly aspects allow the show to deal with heavy topics like life and death while still aiming it at kids. However, there are plenty references for adults to recognize and enjoy, like the numerous visual cues to classic horror films and guest stars, like John Astin, from classic film and T.V., that elevates it above typical kiddie fare. Eerie’s influence can still be felt in more recent kid shows like Are You Afraid of the Dark?, Goosebumps, and the more recent House of Anubis. However, none of its offspring could quite duplicate the diversity of Eerie, which wasn’t afraid to end some episodes on a whimsical note, or on an ominous one, or even in a poignant way. And I think this is down to the presence of Joe Dante, who instilled that X-factor missing from other shows of its ilk. Much like what David Lynch brought to Twin Peaks, Dante gave Eerie, Indiana the look and feel of cinema with each episode having his personal touch regardless of whether he directed it or not. This is why the show still holds up today and works whether you’re a young kid or simply young at heart.
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Welcome back to the Eerie, Indiana 2017 rewatch. This Friday, give your dog the side-eye and pray that doorknobs will be enough to save us. Ladies and gentlemen, keep the Canine Arrest Team on speed-dial, because it's time to watch... The Retainer!
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Summer Club Reading - Eerie, Indiana

Back in 1991, Eerie, Indiana premiered on NBC. It was created by Karl Schaefer and Jose Rivera, who had two tracks of mind in creating the series. One, to create a show for children that didn't pander to children and secondly, to have a fun and scary show. And you know what?

They succeeded.

Eerie, Indiana takes place in the titular town. We first meet Marshall Teller on his paper route. He's relocated from the dank, rotting Big Apple. He misses it. His father, Edgar is an inventor for a company in Eerie called "Things, Incorporated," and his mother, Marilyn is a party planner despite having lax organizational skills. His sister, Syndi is a regular, normal teenage girl. Marshall is the odd one out in his family it seems. But he notices that something is amiss in this 'burb. He sees an older, fatter Elvis on his route. He knows Bigfoot eats out of his trashcan. The town's population is 16,661. Gulp. He shares this with the only person that'll hear him out, Simon. Simon is a younger kid from his neighborhood who is ignored by his parents, so Marshall takes him under his wing. They know that something spooky is afoot in Eerie and they seem to be the only ones to do anything to try and stop it.

Originally, reviews for the show insisted that the show's true relation was that great masterpiece, "Twin Peaks." But I don't buy that, personally, I see it as more of a "Blue Velvet" type show. You know, a town with a darker undercurrent. Marshall and Simon are predicating Fox Mulder in the hunt for the truth and the idea of a town under duress from outside sinister forces is something that "Buffy the Vampire Slayer will run through for seven years. Eerie was ahead of it's time and it only lasted 19 episodes. I personally think that in 2012 this show would've lasted a longer life. Or at the very least gathered a cult following. But I digress, let's start this thing off.


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[personal profile] froodle

The story structure for “Eerie, Indiana” takes an interesting twist in this second episode, which is a story relayed to us by lead character Marshall Teller. In the introduction, told in the present time, Marshall’s parents are confused when Marshall is terrified of getting a retainer. As we soon learn, it has nothing to do with the fear of pain, or the fear of being made fun of, but rather because of what happened to the last friend of his that got one…

That friend was Steve Konkalewski, whose teeth refuse to straighten after five years of visits to a mad dentist. The evil tooth-doctor makes for him a “special” retainer, one that gives him the “gift” of hearing what dogs are thinking. In a rather interesting twist, dogs only appear to be friendly on the outside, a front because they are eventually planning to take over the world, something Steve figures out thanks to his newfound ability.

Marshall and Simon, his closest friends, quickly put two-and-two together after a series of odd occurrences, and develop a hunch that he can read the mind of dogs. To test this, Marshall uses a rather absurd experiment: He places a paper bag over Simon's head, then flips a coin and shows it to a dog. Once Steve is able to accurately read the outcome of the coin flip—via the dog's eyes—they are convinced of his superpower. (Would a dog really have an understanding of “heads” and “tails”? Am I putting way too much thought into this?)

This is a minor breakthrough, but Marshall is more intelligent than most kid's show heroes: He understands the absurdity of the whole situation, and realizes that no one will believe them without proof. And so he creates a recording device so that he can capture the sounds that Steve picks up via his retainer (the scenes of them trying to move him around like an antenna to get better reception is pretty clever stuff, despite the obvious outdatedness of it all). Well he also inadvertently picks up some nearby chatter, which leads him to a dog pound known for a high rate of euthanasia. (This is a show for kids?)

Earlier in the episode, an evil kennel warden is attacked by a lone dog who doesn't take kindly to the way the man treats the mutts (he even threatens to “toss them into the chamber”, which looks eerily like a cremation chamber). When our heroes arrive to find the source of the chatter (which are chants of “Freedom!”, by the way), there is a lone bloody bone propping open the door...obviously the bone of the warden, who was picked clean by the dogs. This is a show for kids?

Anyway, the canines don't appreciate Steve being able to monitor their thoughts, so they demand he gives them his retainer. The only problem? It's stuck to his face and he can't get it off. The flashback ends with the dogs chasing him out into the streets, at which point they presumably attack him, kill him, and forcibly take the retainer for themselves. I arrived at this conclusion because we flash back to the present, where Marshall has his own retainer, and calmly explains to a familiar dog that his retainer doesn't allow him to hear the dog's thoughts...and the dog responds by coughing up Steve's old retainer, leading Marshall to contemplate the possible fate of his friend.

It's not a very good episode overall, mainly because it lacks the joyful absurdity of the premiere. There are precious few laughs, and none of the off-the-wall fascination from the first one, making this one feel like a complete dud. Steve just isn't really all that fascinating of the character to center an entire story around, and the retainer idea—while it's clearly going for the offbeat—never gets its feet off the ground. On the flipside, I'd say that Marshall's blandness is already starting to grow on me...it's a welcome change from the over-the-top characters in most such shows.

Regardless, I'd file this one under “sophomore slump” for sure.

RATING: 4/10
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[personal profile] froodle
So we know from the start of the episode that Mars going to the orthodontist and telling us the story of the Retainer takes place on Marshall's 45th day in Eerie. It might be fun to try and put together a timeline for all the events in EI.

From what I remember, not all of the episodes have a day # attached to them - the only one I can name off the top of my head is that Reality Takes a Holiday is marked day zero, for obvious reasons - but I know there's a few. As the rewatch progresses, I'm going to try and look out for them.

This is the second episode and the intro also serves as a kind of "previously" by referencing the ForeverWare ladies (oh my God, that horrible laughter - there's no need to get that excited about a pickle lifter, ladies), as well as what would become the standard for EI, Bigfoot and Elvis, before setting up this episode's foe.

Also, Fluffy, what are you going to do with that gun? You don't have opposable thumbs, you can't pull the trigger, it is of no use to you whatsoever, and it never appears again in the episode.

Could it be Betsy, Grungy Bill's long-lost gun? Did he bungle his twelfth/thirteenth bank robbery because dogs stole his firearm in preparation for the day they rose up agai.st humanity?

"It's probably wherever you left it" has got to be the least helpful parental non-response in history. Yes, it most likely is wherever I left it, but I don't know where that is, which is why I'm asking if you're seen it. I would have made the exact same face as Syndi. Don't be that parent, Marilyn.

Loving the drama chords that play and the dramatic close up of Fifi, the man-eating poodle. Oh Syndi. You are more right than you know.

Looking back on it, it's weird how much emphasis there was on you to have lots of friends when you were a kid. Edgar and Marilyn are all, "you don't seem to be making a lot of new friends", ignoring the fact that he's already become really good friends with the kid next door.

Later in the episode, Mars mentions that Steve isn't his friend, but still lets him come over to his house anyway. You gotta wonder if there's an element of pleasing and/or shutting up his parents concerns about his lack of friends in him hanging out with this kid that he doesn't even seem to like all that much in his own home.

Like, Simon apparently doesn't satisfy the criteria, maybe because he's younger, so he brings Steve by and is all, look, look, kid my own age, stop getting at me and making me feel like an isolated reject just because I'm not surrounded by a crowd of classmates the whole time.

Or maybe I'm just reading way too much into this. Anyway.

Dog, you're sleeping in the middle of the pavement. Don't get snippy when people need to walk past. You're the inconsiderate jackass here, not the random pedestrians.

Ugh, can we take a minute to talk about how horrible it is that Steve has to go over that the house of some kid that he's not even friends with, just so he can have a fucking sandwich, because his mum doesn't like watching him eat? Fucking Eerie, centre of shitty parenting for the entire planet, more like.

Second episode in a row that Simon mentions the Eerie Library. Last week it was old yearbooks, this week apparently their research is a little more esoteric.

Now I really want to know who had checked out the Sorcerers Bible before Simon could borrow it.

Also, Mars, get your own library card.

I really want a t-shirt with that aerial map of Eerie on it. That, or the one from the start of the episode with Normal and Schafer as some of the surrounding towns and a massive bright red WEIRDNESS stamped across it.

"Oh baby, yeah baby, oh, in my mouth baby" is literally me whenever I'm starving and sit down to a delicious meal.

Fifi, stop spying on the Tellers!

Are we all speaking Dog? I think more likely, the retainer lets Steve (and later Mars) read the dogs minds, and then their brains translate it to terms they can understand, ie, English.

I just realised how boring and frustrating this adventure must have been for Simon - he can't hear any of what's going on.

I am 100% certain that the dogs and cats in Eerie are waging a secret war against each other (secret from humans, I mean). Fluffy proved dogs can read when Mars shows him that magazine, and the pound has massive barrels labelled poison stacked outside it, coils of razor wire on top of the chainlink fences surrounding it, a sign that says no barking, the death chamber is in full view of the cages the dogs are kept in, and the dog catchers themselves are called the Canine Arrest Team. That level of psychological torture, it's gotta be a cat masterminding it.

also, the way Mars says "dogs check in, but they don't check out" makes it sound like thats the pounds motto, rather than Mars making an off the cuff remark.

I can't tell if that's supposed to be a real cat watching through the windows at the pound, or if it's a stuffed cat attached to the fishing lines used to lure the dogs to capture.

Whelp, Mister Dithers is dead. Or at least missing a leg. To be fair, he was in league with the cats, and being eaten by dogs pales in comparison to what the cats would have done to him in punishment for his failure to keep the dogs in line.

Ugh, the dogs chanting. The vehemently whispered chant of "Freedom!", "bite the hand that feeds us!", "doorknob!", "smash the chamber!" and the increasingly loud and menacing "metal mouth!" at the end of the episode - so scary when I was a kid, and still pretty creepy now.

And Steve panics, and runs, and the dogs chase him down and kill him and eat him and then Fluffy delivers his mangled retainer to Mars as a warning to keep his mouth shut if he wants to live.

Edgar tells Marshall at the end of this episode that he "lived to tell the tale". The fortune cookie at the start of No Brain No Pain gives Mars the same prediction. I like to think that the whole series is actually narrated by an adult Marshall, who sends his stories out into the world disguised as fiction, after getting increasingly frustrated and jaded about getting anybody to believe him about the centre of weirdness for the entire planet.

They probably believe him about the centre of shitty parenting, though. Jesus.
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[personal profile] froodle
Welcome back to the Eerie, Indiana 2015 rewatch. This Saturday, give your dog the side-eye and pay that doorknobs will be enough to save us. Ladies and gentlemen, keep the Canine Arrest Team on speed-dial, because it's time to watch... The Retainer!

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