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Anyone an Eerie, Indiana fan? It's more of a children's show, but it seems to be groundbreaking for it's time, introducing storytelling & worldbuilding to younger kids. I see a pitch of that show in this, but only with the subtleties of the strange within a seemingly normal town.

stevp19Bitchin: Yes, I watched it when it first aired, either during or just before the golden age of the Fox Kids afterschool shows(Goosebumps, New Addams Family, Beetleborgs, etc). In the only episode I can remember, the strangeness was used to satirize pop culture and suburban life. So it was like a spooky kids version of Suburgatory. The satire sets it apart from Stranger Things, but the more I think about it, the more they do seem alike.

It was short-lived and somewhat obscure, so I'm surprised to see the show mentioned on this subreddit. I wonder if the other ten people who watched that show are also on here...

er1127: The best things are short...

MyNameIsNotRyn: I remember this show!

er1127: I'm 17, but I figured I watch it. I liked it, but of course it's done in a way to directly make each episode short and snappy for younger kids. Still compelling at any age tho. The main kid is easy to like, along with his friend.

JMAN0723: Watched it back in the day. Joe Dante. Also tim hunter who directed Rivers Edge directed several episodes

er1127: Yes, did you see Explorers with Phoenix, Hawke, & Jason Presson? Pretty good film, very similar in tone to ST. I read that they had to quickly get the film done, which is why the 3rd act dipped in quality. The premise is really good at heart.

JMAN0723: Saw it but wasnt a fan of it. Similar flaws i see in ST Season 2

er1127: I liked it, thought the last parts were a huge let down

er1127: U can argue that the troubled kid in Explorers has the same problem in character development as Max & Billy. They tease issues, but don't show you anything. Over time, they lose suspense, and valuable plot progression.

JMAN0723: My favorite 80s teen movies were Stand by me,rivers edge,and heathers. Much darker but more realistic

er1127: Stand By Me is my all-time favorite. The novella is really good too. I like Running on Empty (which Phoenix is in), a lot, It (2017), the original A Nightmare on Elm Street, Jaws, Super Dark Times, The Nice Guys, The Spectacular Now, Kids, and Superbad, to state a few.

er1127: The Spectacular Now looks cliche, but stirs from it... a sleeper.. future cult classic
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The sharp and witty director of Gremlins, Innerspace and The Howling visited Edinburgh International Film Festival to provide an insightful overview of his rich career

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Dante’s taken some knocks, but there’s a sense that his reputation is ever-growing, despite the paucity of his output (he’s only made three features this century). There has been a highfalutin book written about his work (“Yeah, in Austria,” he scoffs), while at Paris’ great church of cinema, La Cinémathèque française, he received a loving retrospective of his work last year, showing everything from his 1968 movie mashup The Movie Orgy to his wonderful kids’ show Eerie, Indiana, which was clearly a huge influence on Stranger Things (“I’m sure my cheque is in the mail somewhere,” Dante says knowingly when Romney mentions the Duffer Brothers’ wildly popular Netflix show).

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One of the last film panels at SXSW featured four-time Oscar-nominated Ethan Hawke. An Austin native, Hawke has a deep connection with the city has appeared in many films set in the city and collaborating with fellow Texan Richard Linklater on numerous iconic indies including the coming-of-age opus and Before Sunrise franchise. With his films Blaze and First Reformed making his debut in his hometown, SXSW is fitting for Hawke’s sensibilities and passion for genre and independent film. As Hawke sat down with IndieWire’s Eric Kohn in front of a packed house to talk about his career which spans of three decades as well as his some of his most iconic films including the Before franchise, Reality Bites, Boyhood, and, of course, his very first film Explorers.

“13-year-olds don’t have an agenda when acting — they just want attention,” joked Hawke when he spoke about the start of his career.

The Academy Award-nominated writer and actor got his start in the Joe Dante movie Explorers alongside the late River Phoenix which captured the spirit of sci-fi through a youthful gaze. The movie came out during a time when movies like The Goonies, Gremlins, and Flight of the Navigator were all the craze and were a blatant inspiration for Stranger Things (the Netflix series recently cast his daughter Maya Thurman Hawke). As a writer-director-producer who has become an indie auteur, his initial movie with Dante sparked his interest in genre.

Hawke says that Dante introduced him to a number of films and opened his eyes to what genre movies can do. He remarks how if you can make a traditional narrative into an out-of-this-world metaphor, “it comes alive.” What he says rings true as his genre classics Explorers and Gattaca (which Bill Clinton told him was his fave) continue to resonate with audiences and have been on the table for remakes.

Beyond films of the genre variety, Hawke has done theatrical fare, but it’s his work with Linklater that has garnered him plenty of indie street cred. The romantic trilogy of Before Sunrise, Before Sunset and Before Midnight, two of which he c0-wrote with Linklater and his co-star Julie Delpy, has remained a touchstone for indie storytelling. But if you’re looking for a quadrilogy that continues the ups and downs of Celine and Jesse, don’t hold your breath.

“There’s something about Before Midnight that feels like a complete circle,” he said. He mentioned how in 1995’s Before Sunrise, the films starts with Celine and Jesse eavesdropping in on a couple in their 40s arguing. Fast forward to 2013’s Before Midnight, and Celine and Jesse have become that couple.

“It feels finished to me — which isn’t to say Rick or Julie [are] finished,” he said.

Hawke has an affinity for projects that span over a decade. In addition to the Before franchise, he teamed with Linklater once again in 2014 for the coming-of-age odyssey Boyhood which took 12 years to make. Although he said he would have fun doing a project like this, it took a lot of patience and doesn’t think he would go on a journey like that again. But if he did, it probably wouldn’t be as highbrow. “I think it would play at the MoMA or something like that,” he says.

“It was a really good idea,” he continued. “I had no doubt it would be high in quality, I just thought it would play at the MoMA or something like that.”

One of the many roles which Hawke is known for is the quintessential 1994 Gen X pic Reality Bites which also starred a collective of ’90s icons including Winona Ryder, Steve Zahn, Janeane Garofalo, and Ben Stiller — who also helmed the film. The movie popularized the song “My Sharona” and made us realize that Evian spelled backward is naive, but it also made Hawke’s Troy Dyer a Gen X poster child.

“I was afraid of being labeled as Gen X because it would lock me in a box,” Hawke admitted. But he says, “I knew that the walk was going to be incredibly rough,” but he managed to get out of that box and survived and pursued making things he believed in.

Even so, Troy sticks with him to this day. In his Sundance film Juliet, Naked (opening August 17), Hawke says that his character is “Troy Dyer at 50.”

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