evilinsanemonkey: Marshall Teller and Dash X from Eerie Indiana making eyes at each other (Eerie: Dash/Mars)
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Minimum Wage in the Land of the Lost (2877 words) by flashforeward
Chapters: 1/9
Fandom: Eerie Indiana
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Characters: Marshall Teller, Simon Holmes, Dash X (Eerie Indiana), Al, Mr. Lodgepool
Additional Tags: The Bureau of Lost, Mega Voodoo Eerie Weirdness
Series: Part 1 of The Bureau of Lost
Summary:

Marshall Teller needs a summer job, Al needs an assistant to help him catch back up on all that filing he’s terrible at before Lodgepool and Head Office find out how bad it’s gotten.

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Hold on to your loose change, take a tight grip on your socks, and accept that your ball point pen caps are gone forever, because tonight we're taking a trip behind the numbers seven and eight dryers at the Eeriemat, and visiting the Bureau of Lost. Ladies and gentlemen, it's time to watch... the Losers!
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Here’s some more episodes of Eerie Indiana.

In The Retainer, Marshall is trepidatious about visiting the dentist. Not suprising when his dentist is Vincent Schiavelli.


His friend Steve has a massive retainer that lets him talk to dogs.

They learn of a conspiracy among the town’s dogs.

The next episode is The ATM with the Heart of Gold. Marshall’s dad has created a friendly computerised teller, slightly reminiscent of Max Headroom.

Gregory Itzin plays the town mayor. He really is the go-to actor for untrustworthy elected officials, isn’t he?

Marshall’s friend Simon starts getting money from the ATM, because he’s nice to Mr Wilson.

In the next episode, The Losers, Marshall’s dad loses an important presentation. The search leads to some strange places, and an appearance by Joe Dante regular Dick Miller. Not surprising, since this episode is directed by Joe Dante.

Another Dante regular is Henry Gibson, who works in the Bureau of Lost.

Next, it’s America’s Scariest Home Video. It’s Halloween, which can’t be good in Eerie. Marshall’s younger brother is stuck in the TV, and the Mummy has got out, only it’s the actor who played the Mummy years ago.

Next it’s Just Say No Fun.

I’ve just noticed their school is BF Skinner High School – named after the behaviourist who invented the theory of operant conditioning, and the Skinner Box, an experiment where doves were trained to collect food from a dispenser. The dispenser would randomly deliver seed in response to buttons the doves would peck, but it was always random. However, the doves would develop momre and more complex, repeated behaviours in the apparent belief that what they were doing was key to the seeds being given.

Simon is given new glasses, and suddenly he’s boring and just wants to do schoolwork.

There’s a tiny bit of the end credits of Mork and Mindy before the next episode.

Then, an episode Heart on a Chain. A new girl, Melanie, joins Marshall’s class. She has a life-threatening heart problem, and is waiting for a transplant. And all the boys in class fall in love with her. She’s played bu Danielle Harris, possibly familiar to you as Bruce Willis’ daughter in The Last Boy Scout.

Marshall gets love advice from Elvis, who lives on his paper route.

It has a sad ending.

This is the last episode here. After this, recording continues with the start of Channel 4 News. The conflict between Bosnia and Serbia is the top story. I think their spell checking fell down slightly here.
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Hold on to your loose change, take a tight grip on your socks, and accept that your ball point pen caps are gone forever, because tonight we're taking a trip behind the numbers seven and eight dryers at the Eeriemat, and visiting the Bureau of Lost. Ladies and gentlemen, it's time to watch... the Losers!
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[personal profile] froodle
There is a long and respected history of filmmaking teams, whether they’re writers and directors (like Martin Scorsese and Paul Schrader), directors and producers (like Danny Boyle and Andrew MacDonald), or directors and actors (like Tim Burton and Johnny Depp). It’s clear that some filmmakers bring out the best in each other, and in working together, audiences get the best from both of them.

This is definitely true in the horror arena, where directors and actors reteam with regular consistency. So who are the iconic horror director/actor teams? Who is the Scorsese/De Niro duo of gore? The Kurosawa/Mifune team of the supernatural? This is a list of some of the most frequent and enjoyable collaborations in horror film history (in no particular order):

2. Joe Dante and Robert Picardo, Dick Miller, and Kevin McCarthy

Sometimes, a filmmaker finds a muse in an actor because that actor captures something distinct and unique about their filmmaking style and message. And sometimes, directors are just loyal to the people who started with them, and they enjoy having fun, talented people around them.

In this case, Joe Dante constantly works with actors he likes on multiple occasions, from Rick Ducommun to Henry Gibson. But by far, his most frequent collaborators have been Robert Picardo, Dick Miller, and Kevin McCarthy.

Dick Miller has been with Dante since the beginning, appearing in Hollywood Boulevard when Dante worked for Roger Corman. McCarthy joined one movie later, in Piranha, and Picardo joined the troupe in 1981 as the villain in The Howling. Since 1981, Dante has made 14 feature films and there hasn’t been a single movie that hasn’t had at least one of those three actors in it. The real question is, when Dante makes the Roger Corman biopic The Man with Kaleidoscope Eyes next year, will Dick Miller play himself from fifty years ago?
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My, what a difference a week can make! I watched this episode with my wife over a week ago, and was pretty disinterested in the story; it had a clever idea, as most of these do so far, but it wasn't particularly funny or engaging. Then, one thing lead to another in real life, and I never had time to write this review, setting me up for a re-watch that I was absolutely not looking forward to. While the bad news is that it's still not one of my favorite episodes, the good news is that it was more enjoyable than I remember it being just seven short days ago.

More weirdness abounds in Eerie, Indiana when Edgar Teller's briefcase suddenly vanishes into thin air...almost quite literally. Now if this were just an ordinary briefcase, that would be bad enough. But this briefcase has a petroleum-based banana flavoring that Edgar will be pitching to higher-ups at Things, Inc.; if they like what he's done, then it could be their next big project and lead Edgar to fame! If it's lost, on the other hand, then he will most certainly lose his job. Compounding the problem is the briefcase's history: it was an anniversary gift from Marilyn, so she feels like him losing it is a personal jab at her. Uh oh! Can Marshall and Simon get to the bottom of the mystery before the Teller family loses everything?

Well, of course they do! Marshall and Simon concoct a plan to lose something on purpose, just to see where it winds up. In this case, it's a large piece of luggage...that Marshall hides himself inside! Sure enough, he is whisked right off the street by Al, an older gentleman played by Dick Miller (one of those guys that you will look at and go, “Oh, I've seen him in something before!”), and then dropped into a hidden tube in a back alley moments before Simon can find him.

After a scary drop through a series of tubes with Argento-esque lighting, Teller ends up in a strange place run by a strange old man known as Mr. Lodgepoole. The large warehouse-style room is completely packed with random items; this is, as we learn, because Marshall has ended up in the “Bureau of Lost” the place where things go when you lose track of them. Well, to be fair, the reason people lose track of them here is because Al steals stuff right out from under people's noses.

Marshall wants to track down his father's briefcase to save his family, but Mr. Lodgepoole informs him that this is not a lost and found...in fact, he even has some troubles getting out the “f” word! It is instead a ploy to stimulate the economy. After all, as Mr. Lodgepoole testifies, if no one lost anything, then why would they have a reason to buy these things again? And if nobody's buying anything, then that sets us up for an economic crash of epic proportions (“You mean like the one when that actor guy was president?” Teller humorously asks).

Unlike most of the other episodes I've seen, this one has a nice little positive message thrown in there. After all the effort Marshall put into getting the briefcase back, it turns out that everything worked itself out: the banana goo that Edgar lost in his briefcase turns out to be part of a failed experiment, so there's no need for it (“It turns out people couldn't get the taste of diesel out of their mouths.”), while Marilyn forgives Edgar by buying him a brand new briefcase! There is no love lost and the episode ends on a happy note, with the family returning back to normal. Things don't go quite back to normal for Mr. Lodgepoole though...

The general pointlessness of this episode is its most endearing quality, but also its biggest flaw: It feels too pointless, especially for general audiences accustomed to the typical Saturday morning cartoons. The fact these items are just being taken (well, Lodgepoole takes offense at that term, deeming them “lost”) for no reason makes for some humorous moments, but it doesn't really lead to any kind of resolve, besides Lodgepoole's fate, and the simple message that love can fix anything, which could have been done in a much more straightforward manner (though, granted, it wouldn't have been an episode of “Eerie, Indiana”).

After the surprise strength of “ATM With a Heart of Gold”, this episode once again sets the series back a bit, though not nearly as far back as Dante did with his own “The Retainer”. Once again, it feels like a case of the show being weird for weirdness sake, rather than centering its weirdness around a common theme or clever idea.

EPISODE RATING: 5.5/10
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[personal profile] froodle
The junction box on Sixth Street thrummed with life, the utilitarian grey metal casing vibrating with the force of the current coursing beneath it. A hand-written note, held in place with the liberal application of sellotape, fluttered on the front of it.

"To the person who found my glasses on the street last Wednesday and left them here for me to find: thank you."

The Unkind Ones' newest prospects, the fraternal triplets Findo, Fetcho and Recovero, knelt on the sticky and scorching asphalt as they carefully cut the raggedy-edged page free of it's bindings. Around them, the fully-patched members of Eerie's most notorious biker gang waited in reverend silence.

With a last staticky ripping noise, the letter was free. The prospects folded it once, twice, then turned in a well-choreographed semi-circle and handed it to Billy Millions.

"It is found," said Fetcho.

"It is found," intoned the rest of the Brotherhood.

Billy Millions blushed to the roots of his magnificent beard as he accepted the offering. The Unkind Ones cheered and clapped, and several competing dad-rock ballads began blaring from half a dozen portable radios.

Unseen amidst the celebration, Mister Lodgepoole misappropriated several skull-and-crossbone decals from various motorcycles, scowling furiously.

Read the rest of the Microwave-verse here )

Read the rest of the Pay Attention verse here )
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Hold on to your loose change, take a tight grip on your socks, and accept that your ball point pen caps are gone forever, because tonight we're taking a trip behind the numbers seven and eight dryers at the Eeriemat, and visiting the Bureau of Lost. Ladies and gentlemen, it's time to watch... the Losers!
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Eerie headcanon #16: Amelia Earhart is an escapee from the Bureau of Lost and is working with the Unkind Ones to bring them down.
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Eerie headcanon #15: the Bureau of Lost and the Unkind Ones are engaged in a decades-old clandestine conflict, in which the Bureau surreptitiously steal- uh, I mean, misappropriates- the property of American citizens in order to boost the economy, and the Unkind Ones track lost items down and return them to their rightful owners as a way of sticking it to "the man".

Also, related: the creepy garbage guys from the Lost Hour, and the entire concept of a sixty minute time slip into which things can disappear and never be seen again, are part of the Bureau's operations. Janet Donner was totally on the list to be "misplaced."

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