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It's almost time for the Eerieversary, and along with it our annual Eerie, Indiana rewatch! The fun starts on Saturday 15 September, 7:30pm UK time with the pilot episode, ForeverWare, and the complete schedule is below:

2018:09:15: ForeverWare

2018:09:22: the Retainer

2018:09:29: ATM with a Heart of Gold

2018:10:06: the Losers

2018:10:13: American's Scariest Home Video

2018:10:20: Just Say No Fun

2018:10:27: Heart on a Chain

2018:11:03: Broken Record

2018:11:10: the Dead Letter

2018:11:17: the Lost Hour

2018:11:24: Who's Who

2018:12:01: Marshall's Theory of Believability

2018:12:08: Tornado Day

2018:12:15: Hole in the Head Gang

2018:12:22: Mr. Chaney

2018:12:29: No Brain, No Pain

2019:01:05: Loyal Order of Corn

2019:01:12: Zombies in PJs

2019:01:19: Reality Takes a Holiday

As usual, once the individual episode post goes up, commenting will stay open indefinitely; watch at a time that suits you, then drop by and chat it up with your fellow Eerie fans! All entries will be tagged with "comm event: rewatch 2018", so be sure to bookmark that if you want to follow along.
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The Eerie, Indiana screening in Manchester is one week away, and I need your help, Eerie fans! What should I wear to this, surely the social event of the year? How shall I accessorize? To blunder here is to spend an eternity mired in sartorial regret,and so I turn to you to narrow down my list of options.

I've divided them into three sections: necklaces, brooches and pins, on the basis that I can wear a bunch of different pins and at least a couple of brooches, but only one necklace.

Before we begin the winnowing, though, lets take a moment to be sad that since this takes place in mid-August, I won't get the chance to show off the awesome doorknob scarf [livejournal.com profile] eviinsanemonkey made me, or the Loyal Order of Corn hat by LizzyLittleFish. To make up for it, here they are being modelled by by a rainbow sheep:

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And now, to the choosing!

Miss Tornado Day and Eerie Trio necklaces by AcrylicAsylum. 3D sculpted anatomical heart necklace by AlternativeJewellery. Eerie, Indiana town limits sign by SoozysCraftorium. Camera, coil of film and blue Eerie, Indiana necklace with pink bat charm by Tatty Devine. Key with blue gem necklace by Eclectic Eccentricity. All the rest by Sugar and Vice.

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Better Weird than Dead brooch by Sugar and Vice. Poodle with bone and "be prepared" penknife by Tatty Devine. Eerie, Indiana bookstacks by HelloCrumpet. Husky by Acrylic Asylum. Eerie, Indiana/Z Nation brooch by SoozysCraftorium. Jackalope and Poe Raven by Erstwilder. Raven with rose and ravens on a branch by CherryLoco. Eerie, Indiana logo and Centre of Weirdness map badges by me.

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World o' Stuff and POP: 16661 pins by MattRyanTobin. Eerie, Indiana pin by Super Yaki Stuff. World o' Stuff button by [livejournal.com profile] diello. Pitbull Surfers button by me. El Gordo pin by DemonicPinfestation.

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A crazed homeless man is confronted by a mysterious older red-headed woman, who proceeds to shoot him with a laser beam. Of course, this crime is witnessed by Marshall and Simon, who step in to prevent her from finishing him off: with police sirens looming in the distance, the woman gets into her car and speeds away.

Marshall and Simon know he's a weird guy, on account of his mumblings to himself, but think there might be something causing his bizarre behavior besides a mental disorder. So they take him to Marshall's house, shave off his facial hair, cut his head hair, and tell Marshall's sister Syndi to watch over him, under the explanation that he is Simon's uncle (a notion that doesn't seem to surprise Syndi at all). The duo then go out to look for clues as to his real identity.

Meanwhile, Dash-X stops by the Teller residence to get Charles, explaining to Syndi that he is Marshall's cousin. He meets with the red-haired woman, who promised him a cash reward if he could deliver Charles to her, alive and unharmed. Dash keeps his end of the bargain, meeting the red-haired woman at the old mill that presumably is the exact same one from “The Hole in the Head Gang”. Money is exchanged, and this is when they learn that the man that everyone believes to be so insane was actually the smartest man in the world. “Was”, until one of his own inventions, the Brainalyzer, stole all of his knowledge, leaving him to be the mumbling idiot that he is now.

Marshall and Simon stumble on the Brainalyzer, and the ensuing mishap causes Simon to become a genius! Things get further out of whack when, in an attempt to reverse it, Simon, Marshall, the red-headed woman, and the former genius, all get in the way of the machine and end up in a four-way body switch that really confuses things. As it turns out, the red-headed woman, who was the genius man's wife, never loved him, and was just using him in an attempt to cash in on his smarts. Dash-X steps in with a laser gun to save the day, and everyone is reunited with their proper brains.

The “brain control” idea is back here, although presented in a different way than it was in the superior “Just Say No Fun”. That had a cooler story that showed how brainwashing affected the entire town, diluting the idea of a dystopian society down for a younger audience. This one just aims for the more straightforward stupidity you see in kid's shows (the crazed homeless man just shouts out non-sequitur words and phrases, of which “my sharona” is a favorite, though that does tie in to the story later), and the effect just isn't all that interesting.

It also shows a rather grating issue that has been gnawing at me for at least a few episodes now, and that's the stupidity of the Teller family. I mean, the family banter and dynamics are better represented here than in similar shows of its ilk--a point that I have made clear many times before—but how many things do they have to see before they finally start to believe that Marshall is right and that Eerie is insane? For example, in the last episode, Syndi (Marshall's sister) saw a werewolf, but passed out and conveniently woke up without remembering what happened. In this one, Syndi is asked to watch “Simon's crazed uncle” (who is just the crazy homeless guy), and does so, without suspecting anything's up. Yeah, I suppose maybe it's to show that Syndi is dumb and goes along with anything, but for a show that seems to pride itself on being smart and different, the whole “dumb sister” routine just feels really unfair.

Speaking of unfair is throwing Jason Marsden in there as Dash-X, another character that never really has anything to do. Outside of the final episode, where his presence finally serves a clever point (but I'm not sure so much that it justified having him here in the first place), he seems interjected in these episodes solely as a lazy way for the writers to advance their plot. Need a character to learn some info? Just have Dash-X hanging around for no reason to eavesdrop! Do Marshall and Simon need saved? Have Dash-X show up out of nowhere! His ideologies and beliefs seem to change on a whim, making him a relatively worthless character. I don't dislike him--in fact, I actually like his gravelly voice and negative outlook on the world, all wrapped up in a world-weary teenaged kid—but he was doomed to fail from the outset.

“Eerie, Indiana” is a good show overall, but this is the episode where the foundation is showing a lot of cracks, and everything is threatening to completely collapse. Will it, or will the next episode put us back on track? I guess we'll just have to trudge onward to find out.

EPISODE RATING: 4/10
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A mixture here, starting with Eerie, Indiana and an episode called No Brain, No Pain.

Marshall and Simon find a homeless man and decide to help him. He seems to only speak in the lyrics of My Sharona by The Knack, but they don’t recognise it because they’re just kids.

He’s being pursued by a woman who says he’s the smartest man in the world.

The boys find his machine, the Brainalyzer, and when they activate it, Simon’s mind is taken over by the man’s mind, and Simon’s mind is stored on the 8-track Knack album.

It’s a nice episode, with some good lines. “Some say he’s the last liberal left in town.” “What’s a liberal?” “I’ll tell you when you’re older.”

After this, recording continues with the start of Channel 4 News. It leads with the resignation speech of Michael Mates, who condemned the Serious Fraud office for its handling of the Asil Nadir case.

Recording switches to another Eerie, Indiana. It’s Zombies in PJs. It’s about Credit and Taxes, and Rene Auberjonois plays an advertising agent called ‘The Donald’ who wants to handle the ads and promotion for John Astin’s World of Stuff.

His subliminal advertising makes everyone want to buy stuff from the World of Stuff, on E-Z Credit, and they’re all sleepwalking to buy stuff.

This is such a fun series.

After this, back to BBC2 for Quantum Leap and an episode called Ghost Ship. Sam is flying a flying boat to Bermuda.
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Among all the amazing content that Amazon Prime Video has been curating lately, the one-season wonder of Eerie, Indiana has invoked the most nostalgia. Filling the void of small-town weirdness vacated by Twin Peaks’ cancellation, Eerie, Indiana was an anthology series set in a town filled with strange occurrences investigated by teen Marshall Teller (Hocus Pocus’ Omri Katz) and his sidekick Simon (Justin Shenkarow). NBC boldly placed this family-friendly oddball show smack in the middle of prime-time network television during the 1991-1992 season, and enlisted a slew of well-regarded horror talent. Horror master Joe Dante directed the pilot, among a handful of other episodes, and stayed on as a creative consultant for the remainder of the series. Which meant he had a direct say in casting, and setting the initial tone. He even appears as himself in the ballsy meta finale. Critically adored, Eerie Indiana cleverly towed the line between light-hearted, quirky humor and its underlying darkness, but its unforgiving time slot and expensive production ultimately relegated it to a single season.

Had it aired just a few years later, when supernatural network series were really gaining momentum, Eerie, Indiana may have continued for many seasons. The word “may” being the key word, here, though, as it appeared that series creators Jose Rivera and Karl Shaefer were prepping to retool the series by episode 13 with a new lead in Dash X, the grey-haired mysterious teen without a past played by Jason Marsden channeling his inner Christian Slater. Considering Marshall and Simon were far more likable, I’m not sure this move would’ve worked.

Like most small towns, Eerie was a quaint small town that belied its hidden darkness below the surface. The structure of the entire series unfolded layers of complexity that isn’t as initially obvious in its family-friendly sci-fi/supernatural leanings. Marshall arrives in town from New Jersey, and his closest friend and ally is the much younger Simon. Why would a teen hang out with a boy of roughly nine years old? Episode 3 reveals Simon’s home life is extremely dark and broken, with a father that ignores his son in favor of bringing home multiple women at a time.

The series also had a knack for doling out adult jokes and kid appropriate jokes in equal measures. Marshall’s dad referring to the homeless bum in episode 15 as the town’s sole liberal, followed by Simon’s inquisitive, “What’s a liberal?” induced a chuckle. More than the humor, though, is the show’s ability to retain continuity. Unlike a lot of anthology series, what happens in Eerie is never forgotten and the writers ensure that consequences and findings of episodes reverberate. At least if you pay attention.

With episodes directed by Dante, Bob Balaban (Parents, My Boyfriend’s Back), and Tim Hunter (Twin Peaks, River’s Edge, Hannibal, and notable guest appearances by a young Tobey Maguire, Danielle Harris, and recurring appearances by John Astin (Gomez Addams of The Addams Family) and Harry Goaz playing a much straighter police officer than his Twin Peaks oafish counterpart, Eerie, Indiana was years ahead of its time. Though it fared much better during reruns, garnering a new fan base, the time for this underappreciated series has long lapsed. That doesn’t mean we can’t enjoy its sole season for what it is; clever fun for the burgeoning horror fan with a high rewatch factor. In celebration, I revisited all 19 episodes:


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Your themed episode for the month of January is "No Brain, No Pain".
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Ready to check out the egg rolls at the Dragon of the Black Pool? Time to rewatch No Brain, No Pain.
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Scifi/supernatural TV show about two kids (brothers or friends) in a weird town.

There was this TV show about two brothers or friends, about 12-14. It had scifi and I think supernatural elements. The only episode I remember went like this:

A mom dad and 2 kids go to a chinese restaurant and get fortune cookies. All the fortunes are a little weird but come true in some way. The dad bumps into a homeless man with weird items in a shopping trolley.

The two young kids (protagonists) take this stuff and it's a bunch of electronics. They figure out that these are all components of a single machine/device and start putting it together. When they finish constructing it, it's just a helmet with a VCR (and maybe antenas) attached to it. There is also a cassette. One of the boys then puts it on and has his memories replaced by a scientist who claims to have removed all his memories and stored them on the cassette tape the boys put into the VCR.

Turns out the homeless man was the scientist, who removed his memories and put them on tape. The homeless man is kidnapped at some point and interrogated by bad guys trying to steal the scientist's secrets. The boys set out to return everyones memories and save the scientist.

The show was set in a town in the USA. I dont remember the name but the show claimed that it was the town with the most supernatural activity and general weirdness.

I watched this sometime between 2005-2009, I think. I'm confident the show actually came out in the 90s, just because of the VCR, but I'm not certain.

This is Eerie, Indiana.

The series revolves around Marshall Teller, a teenager whose family moves to the desolate town of Eerie, Indiana, population of 16,661. While moving into his new home, he meets Simon Holmes, one of the few normal people in Eerie. Together, they are faced with bizarre scenarios

The episode you're looking for is No Brain, No Pain (Season 1, Episode 15) from 1992.

Marshall and Simon witness a homeless man being attacked by a woman with a ray gun and decide to help him out. Although the man mumbles nonsense and seems fascinated by electronics, the boys suspect that there's more to him than that and perhaps he's not as crazy as everyone believes. But things get really weird when they turn on the strange contraption the man was making.

Everything you mentioned is there: The Chinese restaurant with fortunes that eventually come true, the helmet that transfers the kid's memories to a tape etc. You can see it here, and here's the intro:
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Marshall exchange minds with a woman. Nothing much happened, after all it was a family show.

From: Anon A. Maus* , 170 months, post #1
One line makes me wonder...

"Still, it wouldn't be over until we reunited everyone with their proper brain, a process that took awhile."

How long, I wonder? An hour. Late into the night?

Presumably long enough for Marshall to take his female body to the bathroom, whether or not he really needed to go! Too bad they ran out of time to tell us more!

From: Nick* , 169 months, post #2
Yeah, because that sort of thing happens all the time on kid's TV shows.

From: Justin* , 169 months, post #3
What I consider to be more interesting is that the "evidence" included Simon's fortune from the restaurant. Something to the effect of "You shall walk in the shoes of many" (I don't remember the precise quote). However, Simon and the others only experienced one swap a-piece, leaving me to suspect that, as probably originally scripted, multiple swaps were to occur.


From: Mike Allegretto , 581 months, post #1
brief but there is a quick scene of marshall checking his new boobs out.

From: anonymous , 581 months, post #2
Scene mentioned above cut from fox broadcasts but is well acted simon and adult male also swap bodies

From: funglius , 581 months, post #3
The entire tranformation scene takes place at the very end of the episode. Marshall finds himself in the body of the well built red head. After doing so, he looks down. Sees his clevage and just acts puzzled/happy. End of Tranformation scene. Whole momment lasts about 3 to 5 seconds.

From: Eric , 185 months, post #4
Well acted humorous show. Good job by all the characetrs. The very sexy actress playing the villian was in 2 other body swap stories. 18, & 'Spoiled'! Too bad they didn't do more with the body swaps the potentional was there. The villianess in Marshall didn't seem to be too unhappy & even wanted the homeless boy to blast Marshalll in her body! I think Marshall would have liked some time alone with her body as well! Also his friend ended up in the villian's husband's body! Very good moment of Marshall looking down checking out his well endowelled breasts & also the the wife in Marhsalls; vbody felign her now flat chest unbelievingly.
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Your themed episode for the month of January is "No Brain, No Pain".
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Everyone got their Knack eight track at the ready? It's time to watch No Brain, No Pain.
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I didn’t mean to be away from this blogging enterprise, or blogterprise, for so long - in the meantime, Eerie disappeared from netflix, but thankfully it’s still streaming for free on hulu, so I’ll be able to finish off the series after all.

The science-fiction/supernatural element here is just slightly less inventive than normal Eerie standards: a mind-transferring device is definitely an idea that’s been done before. However, the way it’s executed here leads to some pretty funny moments - for one, the device itself deliberately appears to be made out of various junk, which makes a certain amount of sense because it’s inventor, Charles Furnell, managed to rebuild it despite being homeless and having had his brain removed by his own invention. Part of it’s workings is a modified 8-track player, and everyone it’s used on has the indignity of having their mind being stored on a copy of The Knack’s greatest hits - in a great, absurd touch, a recurring leitmotif in the score is a variation on the main riff of “My Sharona”.

Another fun element of this episode is the inevitable mind-switching itself - Charles Furnell’s brain is transferred into Simon’s body after having spent years on that Knack tape, and in the climax Charles and Simon have swapped bodies, and Charles’ wife, who’s the villain here, has similarly swapped with Marshall - leading to a hilarious brief gag where “Marshall” looks down and is baffled by his new found cleavage.

I’ve noticed in every episode he’s been in so far, Dash-X has played a pretty formulaic “jerk with a heart of gold” sort of role - he’ll always start off doing something out of self-interest that either helps the villains or just endangers Marshall and/or Simon, then reluctantly end up saving the day. However, this one is sort of notable, because until now he’s always seemed to have another motivation in helping other than doing the right thing.
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It's the 14th of the month, and that's the date we put aside to think about all those amazing minor characters, places, organisations and general backdrop that make Eerie so compellingly watchable.

This month's theme is: Dragon of the Black Pool
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In which (for possibly the last time) I re-watch an Eerie, Indiana episode with script in hand and compare the two.

No Brain, No Pain )
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No Pain, No Fear (1000 words) by Deifire
Chapters: 1/1
Fandom: Eerie Indiana
Rating: Teen And Up Audiences
Warnings: Creator Chose Not To Use Archive Warnings
Relationships: Eunice Danforth & Dash X, Marshall Teller/Dash X, Eunice Danforth/Charles Furnell
Additional Tags: Ten Years Later, Implausible Technology, Gratuitous 90s Political Reference, Cookies
Summary:


"Charles wants to help save the world. You want to help rule it. It’s a classic ‘your career or mine’ situation.”


It's ten years later. Dash is helping Marshall and Simon investigate the forces of weirdness for a living when an old associate comes looking for help.


Written for the 14th annual picfor1000 challenge, where the object is to write a story of exactly 1,000 words based on a picture prompt. Mine was this one.

Challenge theme was money, which got me thinking about Eerie and the fate of a couple of the minor characters I don't think I've seen in fic yet...
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For the new one, I used a fortune cookie charm, a pagoda, a screwdriver and the Dash hands, a toothbrush and toothpaste and hairdryer, and a music note. On the old one, I just added a couple of screwdrivers either side of the shopping cart.
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I need a couple of charms of hairdryers, screwdrivers and scissors to really complete this, and I literally just found a listing for fortune cookie charms, which I'm going to order and add, but at the moment:

A shopping cart, some money, Chinese takeout boxes, a comb, the walkie-talkie that Charles babbles into, and a cassette tape (because I definitely couldn't get hold of an eight-track charm).
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If you were going to, for want of a better word, colour-theme the individual episodes of Eerie, what colour schemes would you use and why?

Foreverware: to me, this would be in bright plasticy '50s colours, like you were in a sockhop themed diner, all neon pinks and blues and greens.

Lost Hour: because milk trucks and the Eerie Dairy feature so heavily in this one, I'm colour it blue and white, like the trucks, the milkmans unicorms, and of course the milk itself

Dead Letter: muted pinks and greys and purples, because you see Mary B. wearing pale pink in the flashback, and because the whole episode is a viewed through a nostalgia filter from Tripp's POV, and to me nostalgia reads as a sepia tint on everything, the colours would be a little faded and washed out

Mister Chaney: all the autumn colours. Golds and reds and orange and dark green and deep brown. It's an episode about the harvest and the changing of the seasons, soto me that makes sense.

Broken Record: red and black, like the Pitbulls album covers and the new look that Todd adopts.

Loyal Order of Corn: bright greens and yellows, like the uniforms of the Order themselves

Scariest Home Movies: greyscale. Blacks and whites and greys of various shades, like the old b&w movie Harley gets sucked into.

Marshall's Theory of Believabily: deep dark blues like the night sky, and silver for the ufos, the stars, and Professor Nigel Zircon's Travelling Museum of the Parabelievable.

What about you guys?
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Eerie Indiana headcanon #10: when Dash came back to help Mars and Simon out at the end of No Brain, No Pain, sure he said his change of heart was because counting Eunice's money didn't feel right, but he also totally didn't give it back after screwing up her plans.
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So I got my EI dvds in the mail a few days ago and pretty much skipped right to the episodes with Dash, and after getting on the phone with my brother and partner in all things 90's, I came up with a few theories of my own as to what is going on with "that sneaky kid with the hair". 

Okay, first and foremost: he's an alien. I'm just gonna go right ahead and assume that because, well, it's my theory and I can do what I like with it. Also because Ned from "Loyal Order of Corn" has the +/- signs and is an alien and that whole thing with the crystal and the goofy hand signals and the door that only Ned and Dash can open and blahblahblah. So Dash from whatever planet Ned was from. I'm gonna call it Planet Loroc, because I'm like that. 

Secondly, that line where Dash asks if Ned is his father and Ned says something along the lines of "If only it were that simple". Now aside from being all "Awwww!" over Dash's crushed expression and yelling "That's not even a real answer, jerk!" at the TV, the first thing that popped into my head was "cloning". Admittedly I had been watching Clone Wars right before, but still, I'm gonna go with the cloning thing because, well, everyone loves a cloning storyline. Man, I love the word "clone". It's a great word. 

So, right, Dash is an alien clone. Sucks to be him. But who is he an alien clone of? Is it Ned? Well, kinda. See, I think Ned is a clone too. I think the grey hair and the symbols on their hands were originally some kind of signifier, like a brand so that clones could be identified. And based on Ned's assertion that "These symbols [the grey hair and the +/-] date back to a time long before any of us can remember", I'm thinking that whatever the original purpose of the cloning was, the people of Loroc have forgotten it. 

And if you were going to clone somebody, why not make it one of your civilisation's best and brightest? The ones who could be the most use out on the field if they weren't so vitally important that they needed to be kept on their own planet? You get the intelligance and instincts and experiance of the original, but in a body you can replicate thousands of times, so if it gets destroyed? No worries. 

It also explains how Dash instinctivly knows about the crystal, how to work the TV zapper thingie and open those doors; it's a form of genetic memory. He's familar with all that technology because he, or whoever the original template was, created it. I'm going to call my hypothetical template Dash Alpha, because everything sounds cooler when you use letters from the Greek Alphabet. 

Only the law of diminishing returns comes into play, and the more copies you make, the less bang you're getting for your alien buck. So eventually the clones are reduced more or less to the level of the average inhabitent of Loroc. But hey, why waste all those clones? Going back to the Star Wars theme, clones are expendable. You can make a whole army of cannon fodder, you can use them to do all the really dangerous, unpleasant jobs that "real" people don't want to do... like sending them to uncharted planets where there's a good chance they won't ever make it back. 

So the clones are kind of like the equivilent of the SIR (surveillence and information retrieval) units on Invader Zim, albeit less likely to upload their brain into a house, replace their tracking system with tuna or dress in a green dog suit. And then I was like, "Wait a minute, it's no use them gathering all this data if they can't report back." So I figure, maybe the people of Loroc are like bees. Or, you know, the Borg. They have a collective consciousness, and what one of them knows, all of them know. 

Or maybe, because I can't resist a conspiracy theory, all the information the clones collect is stored in to a giant alien database, to which only a few shadowy Governmental types have access. So it's not that nobody remembers the purpose of the clones or the meaning of the grey hair and the symbols; it's that The Man is keeping that information from the general public. And to tie in with my hive-mind theory, if these shadowy Governmental types have direct access to the database which stores and transmits the knowledge of an entire race, what's to stop them from tampering with it, from altering the public's memories? Which would explain why nobody has a fucking clue why there's all these folk with grey hair and weird markings running around. 

We can see from the pictures in the Order's Lodge that Ned hasn't aged since 1918, so clearly the people of Loroc or the clones age much more slowly than we do. But they do age. When Dash asks why Ned hired him, Ned says that Dash is his assistant, "maybe even my replacement". He also says he doesn't think he can stand much more time on Earth. So I'm thinking his weariness is transmitted to the hive-mind, who decide it's time to pull him out and send a new operative to watch over us grubby humantypes. And so, they transmit data back through the hive-mind to Ned, allowing him to build his portal home, but in such a way as to make him believe that this is all his own work. The truth is, his job on Earth is done and he's being recalled. 

So even the clones don't know they're clones, and the Man takes care to keep them in the dark about that paricular aspect. Dash has no memory of who he was before three months ago because he was floating around in his little clone-tube waiting to be sent on a mission. But the hive-mind allows the Man to upload all the information he'd need to fit in on Earth, explaining why he doesn't know his own name but knows who Orville Redenbacher was. The hive-mind also prompts Ned to tell Dash that his answers are in Eerie, motivating him to stay around instead of returning to Loroc with Ned and screwing up the Man's intentions. 

Now, even though they're clones, Dash and Ned each have their own very distinct personalities; Ned has this wonderfully dry sense of humour and a real affection for Earth, even if it is the weary affection you have for a hyperactive puppy that just peed on your slippers. Dash, on the other hand, is an avowed cynic, and to be honest, he comes off as a bit of a crazy bastard too. And why is that? 

Well, if we take into account the much longer lifespans of the people of Loroc, that cloning technology might have been created thousands of years ago. Dash Alpha is probably dead, and the remaining clones don;t have the knowledge to maintain the equiptment. And like any old computer system, you get an increasing number of faults as it reaches the end of it's lifespan. Errors are sneaking in; the clones are becoming their own people, with their own dreams and desires and crushes on Marshall. Naturally we can't have these pesky malfunctioning clones running about, so once a clone is recalled, they get reassimilated (sorry) into the collective (sorry!) conciousness. 

So let's say, on his return to Loroc, Ned is greeted not as a returning hero or a comrade long thought lost, but as one of those pesky crippled war veterans the Government doesn't want the bother of caring for. So he becomes the mental equivilent of soylent green; his body is destroyed and his mind is broken down and added to the big ol' super-secret database that controls the Lorocians. 

And in that final moment, when his horrified mind percieves the entire truth behind his existence, let's say he manages to pass that information down the line to Dash, happily making his morally-ambiguous way in Eerie. 

In his place, can you honestly say you wouldn't throw a complete shitfit? 

I had some more stuff about how this ties in with "Reality Takes A Holiday" and why Dash goes from being Simon and Marshall's "semi-friend" to a nutbar who wants to kill him, but it's late and I have work tomorrow, so I'll leave it for another day.
[identity profile] eviinsanemonkey.livejournal.com
So, I got my DVDs and, while I'm letting my brain sponge up all the things I'd forgotten about between now and the last time I watched the series, I decided to make some icons. They're mainly of "No Brain, No Pain" because Paul Sand kinda stuck out to me in that ep and I was like "he's awesome, icon time."

anyway...

Here they are

Enjoy!

[identity profile] irvys-sefie.livejournal.com
Yay!!! Only 2 weeks late, but they're here! My DVDs came yesterday! Whooooooooooooooooooooooooo!!!!!!!!!!!

I watched mostly the eps with Dash so far, since I am still stuck on writing his chapter. I needed to get a feel for the characters again.
And I also watched The Dead Letter just to see a young Tobey Maguire. His face doesn't change at all, does it?

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Eerie Indiana

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